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Showing posts with label Akhenaten. Show all posts
Showing posts with label Akhenaten. Show all posts

Thursday, November 2, 2017

The Amarna Period


The Amarna Period was an era of Egyptian history during the latter half of the Eighteenth Dynasty when the royal residence of the pharaoh and his queen was shifted to Akhetaten ('Horizon of the Aten') in what is now Amarna. It was marked by the reign of Amenhotep IV, who changed his name to Akhenaten (1353–1336 BC) in order to reflect the dramatic change of Egypt's polytheistic religion into one where the sun disc Aten was worshiped over all other gods. Aten was not solely worshiped (the religion was not monotheistic), but the other gods were worshiped to a significantly lesser degree. The Egyptian pantheon of the equality of all gods and goddesses was restored under Akhenaten's successor, Tutankhamun.


Religious developments

Akhenaten instigated the earliest verified expression of a form of monotheism, although the origins of a pure monotheism are the subject of continuing debate within the academic community. Some state that Akhenaten restored monotheism while others point out that he merely suppressed a dominant solar cult by the assertion of another, while never completely abandoning several other traditional deities. Scholars believe that Akhenaten's devotion to his deity, Aten, offended many in power below him, which contributed to the end of this dynasty; he later suffered damnatio memoriae. Although modern students of Egyptology consider the monotheism of Akhenaten the most important event of this period, the later Egyptians considered the so-called Amarna period an unfortunate aberration.
The period saw many innovations in the name and service of religion. Egyptians of the time viewed religion and science as one and the same. Previously, the presence of many gods explained the natural phenomena, but during the Amarna period there was a rise in monotheism. With people beginning to think of the origins of the universe, Amun-Re was seen as the sole creator and Sun-god. The view of this god is seen through the poem entitled "Hymn to the Aten":
"When your movements disappear and you go to rest in the Akhet, the land is in darkness, in the manner of death... darkness a blanket, the land in stillness, with the one who makes them at rest in his Akhet. The land grows bright once you have appeared in the Akhet, shining in the sun disk by day. When you dispel darkness and give your rays, the Two Lands are in a festival of light."
From the poem, one can see that the nature of the god's daily activity revolves around recreating the earth on a daily basis. It also focuses on the present life rather than on eternity.
After the Amarna reign, these religious beliefs fell out of favor. It has been argued that this was in part because only the king and his family were allowed to worship Amun-Re directly, while others were permitted only to worship the king and his family.

Royal women

The royal women of Amarna have more surviving text about them than any other women from ancient Egypt. It is clear that they played a large role in royal and religious functions. These women were frequently portrayed as powerful in their own right.
Queen Nefertiti was said to be the force behind the new monotheist religion. Nefertiti, whose name means "the beautiful one is here," bore six of Amenhotep's daughters.
Many of Amenhotep's daughters were as influential or more than his wives. There is a debate whether the relationship between Amenhotep and his daughters was sexual. Although there is much controversy over this topic, there is no evidence that any of them bore his children. Amenhotep gave many of his daughters titles of queen.

Art

A relief of a royal couple in the Amarna-period style; figures may be Akhenatenand Nefertiti, Smenkhkareand Meritaten, or Tutankhamen and Ankhesenamun; Egyptian Museum of Berlin.
During Akhenaten's reign, royal portraiture underwent dramatic change. Sculptures of Akhenaten deviate from conventional portrayal of royalty. Akhenaten is depicted in an androgynous and highly stylized manner, with large thighs, a slim torso, drooping belly, full lips, and a long neck and nose. Some believe that the break with convention was due to "the presence at Amarna of new people or groups of artists whose background and training were different from those of the Karnak sculptors."
The events following Akhenaten's death are unclear and the identity and policies of his co-regent and immediate successor are the matter of ongoing scholarly debate.

Tutankhamun and the Amarna Succession

Tutankhamun, among the last of his dynasty and the Amarna kings, died before he was twenty years old, and the dynasty's final years clearly were shaky. The royal line of the dynasty died out with Tutankhamun. Two fetuses found buried in his tomb may have been his twin daughters who would have continued the royal lineage, according to a 2008 investigation.
An unidentified Egyptian queen Dakhamunzu, widow of "King Nibhururiya", is known from Hittite annals. She is often identified as Ankhesenamun, royal wife of Tutankhamun, although Nefertiti and Meritaten have also been suggested as possible candidates. This queen wrote to Suppiluliuma I, king of the Hittites, asking him to send one of his sons to become her husband and king of Egypt. In her letters she expressed fear and a reluctance to take as husband one of her servants. Suppiluliumas sent an ambassador to investigate, and after further negotiations agreed to send one of his sons to Egypt. This prince, named Zannanza, was, however, murdered, probably en route to Egypt. Suppiluliumas reacted with rage at the news of his son's death and accused the Egyptians. Then, he retaliated by going to war against Egypt's vassal states in Syria and Northern Canaan and captured the city of Amki. Unfortunately, Egyptian prisoners of war from Amki carried a plague which eventually would ravage the Hittite Empire and kill both Suppiluliumas I and his direct successor.
The last two members of the eighteenth dynasty – Ay and Horemheb – became rulers from the ranks of officials in the royal court, although Ay may have married the widow of Tutankhamun in order to obtain power and she did not live long afterward. Ay's reign was short. His successor was Horemheb, a general in the Egyptian army, who had been a diplomat in the administration of Tutankhamun and may have been intended as his successor by the childless Tutankhamun. Horemheb may have taken the throne away from Ay in a coup. He also died childless and appointed his successor, Paramessu, who under the name Ramesses I ascended the throne in 1292 BC and was the first pharaoh of the Nineteenth Dynasty.

Foreign relations

Map of the ancient Near Eastduring the Amarna period, showing the great powers of the period: Egypt (green), Hatti (yellow), the Kassitekingdom of Babylon (purple), Assyria(grey), and Mittani (red). Lighter areas show direct control, darker areas represent spheres of influence. The extent of the Achaean/Mycenaean civilization is shown in orange.
The Amarna Letters feature correspondence among the rulers of several empires, dubbed by modern historians The Club of Great Powers:BabylonAssyriaMitanni and Hatti, viz. the major powers in Mesopotamia, the Levant and Anatolia during the Late Bronze Age.

The Great Powers

Babylon EA 1-11

The extent of the Babylonian Empire during the Kassite dynasty
The Babylonians were conquered by an outside group of people and were referred to in the letters as Karaduniyas.[5] Babylon was ruled by the Kassite dynasty which would later on assimilate to the Babylonian culture. The letters of correspondence between the two deal with various trivial things but it also contained one of the few messages from Egypt to another power. It was the pharaoh responding to the demands of King Kasashman-Enlil, who initially inquired about the whereabouts of his sister, who was sent for a diplomatic marriage. The king was hesitant to send his daughter for another diplomatic marriage until he knew the status of his sister. The pharaoh responds by politely telling the king to send someone who would recognize his sister. Then later correspondence dealt with the importance of exchanging of gifts namely the gold which is used in the construction of a temple in Babylonia. There was also a correspondence where the Babylonian king was offended by not having a proper escort for a princess. He wrote that he was distraught by how few chariots there were to transport her and that he would be shamed by the responses of the great kings of the region.

Assyria EA 15-16

By the time of the Amarna letters, the Assyrians, who were originally a vassal state, had become an independent power. The two letters were from king Assur-uballit I. The first dealt with him introducing himself and sending a messenger to investigate Egypt: “He should see what you are like and what your country is like, and then leave for here.” (EA 15) The second letter dealt with him inquiring as to why Egypt was not sending enough gold to him and arguing about profit for the king: "Then let him (a messenger) stay out and let him die right there in the sun, but for (but) for the king himself there must be a profit." 

Mittani EA 17–30

Once enemies, by the time of the Amarna letters, the Mittanni had become an ally of Egypt's. These letters were written by the King Tuiseratta and dealt with various topics, such as preserving and renewing marriage alliances, and sending in various gifts. For example, EA 22 and EA 25 in the Amarna letters are an inventory of the gifts from the Mittani king Tusratta to the pharaoh. Other correspondences of note dealt with a gold status that was addressed in EA 26 and EA 27. Akhenaten married a Mittani princess in order to create stronger ties between the two nations.

Hatti EA 41-44

Theirs was a kingdom in Eastern Anatolia that would later make the Mitanni their vassal state. The correspondence from the Hatti come from a king called Suppiluliumas. The subjects of the letters varied, from discussing past alliances to gift giving and dealing with honor. In EA 42, the tablet stated how the Hittite king was offended by the name of the pharaoh written over his name. Although the ending of the text was very fragmented, it was discerned as saying that he will blot out the name of the pharaoh.

Amarna Letters

The opening statement


The opening statement:

— Say to Nibmuareya, the king of Egypt, my brother: Thus Tuiseratta, the King of Mittani, your brother. For me all goes well. For you may all go well. For Kelu-Heba may all go well. For your household, for your wives, for your sons, for your magnates, for your warriors, for your horses, for your chariots, and in your country, may all go very well.
William Moran discussed how the first line in these documents followed a consistent formula of “Say to PN. Thus PN.” There are variations of this but was found common among all the tablets. The other is a salutation which is one a report of the monarch's well being and then the second which is a series of good wishes toward the monarch. Indeed, this seems to be part of the style of Akkadian style of writing which helped facilitate foreign correspondence for the long term. As scholars argued, this aided in filtering out the chauvinistic domestic ideology at home to the other monarch. This allowed diplomacy to flourish which aided to the relative peace of the time.

Brotherhood

Despite the great distances between the rulers, the concept of a global village reigned.

As is seen in EA 7:

— From the time the messenger of my brother arrived here, I have not been well, and so on no occasion has his messenger eaten food and drunk spirits in my company. If you ask... your messenger, he will tell you that I have not been well and that, as far as my recovery is concerned, I am still by no means restored to health.... I for my part became angry with my brother, saying, has my brother not heard that I am ill? Why has he shown me no concern? Why has he sent no messenger here and visited me?
The importance of this in EA 7 is that it demonstrates the mindset of the rulers in the Near East world at the time. The "enlarged village" which scholars like to term permeated their thoughts where they took the idea of brotherhood. They were related through the political marriages but is an idea of a village of clans which gives reason to the good wishes and update on the health of the monarchs themselves. The monarchs seem to have very little concept of the time of travel between each other and at most likely saw that the village worldview they lived in was applicable for the long distant correspondence of the Amarna letters. Indeed, there is a constant demonstration of love as seen in these letters. Scholars pointed out that to demonstrate good friendship it had to be on the practical level of constant stream of gift giving. This request for gifts is constant with the various correspondence with the Great Kings.

Gallery

The Books of the Heavens (Sky) and Night


After the death of Akhenaten, signaling the end of the Amarna Period, we find a new set of Books related to the afterlife. These books centered around Nut, who swallows the sun god in the evening, only to give birth to him in the morning. During the day the sun god passes visibly along her body, but during the night, he travels through her body back to the place where he will rise once more.

Beginning with Ramesses IV, two of the Books of the Sky were usually placed next to each other on the ceilings of royal tombs. They depicted a double representation of Nut, back to back. The the focus is on the sun god, other heavenly bodies are also included. Generally speaking, the books emphasize cosmography and the topography of the sky, a topic which had its beginnings in the Book of the Heavenly Cow, though the astronomical ceilings found in the tombs of Seti I (KV17) through Ramesses III (KV11) can also be viewed as precursors to the Books of the Sky (heavens). These books are generally considered to consist of the Book of Nut, the Book of the Day and the Book of the Night.


The Book of Nut also known as The Fundamentals of the Course of the Stars


We have actually very few example of the Book of Nut. We find examples in the cenotaph of Seti I at Abydos and in the tomb of Ramesses IV, though the latter is abbreviated. The only other evidence of this book is a commentary written in the Roman Period, and an incomplete version in the tomb of Mutirdis (TT410) dating from the 26th Dynasty. The longer appended text that accompanies the captions was reproduced in the Papyrus Carlsberg in Demotic script.

It was Jean-Francois Champollion and Hippolito Rosellini who published the earliest drawing of the representation of the sky goddess. These, and some investigation that followed, were all from the version found in the tomb (KV2) of Ramesses IV, for the Osireion in Abydos had not been discovered at that point. The commentary from the Roman period was published by H. O. Lange and Otto Neugebauer in 1940.

The book itself is pictorial in nature, and resembles to some degree the Book of the Heavenly Cow. There are brief captions that seem to be overwhelmed by the huge image of the sky. Nut is shown as a woman supported by the God Shu who holds her body aloft. Interestingly, in the tomb of Seti I, she is oriented correctly for the swallowing and birth of the sun, but not in the tomb of Ramesses IV. Other motifs within the scene include several sun disks, a winged scarab in front of the knees of the goddess, a vulture atop the heraldic plant of Upper Egypt behind her legs, and nest of migratory birds next to her arms. The captions on the scene are also accompanied by a longer appended text.

The book is intended to provide both a topography of the sky and an understanding of the sun's daily course. The brief captions augment this understanding and are distributed over the entire scene, describing its details as well as the actions of the sun god, the decans and other divine beings.

O. Neugebauer set out and coded the various captions within the depiction. For example, Text L provides a definition of the "far regions of the sky", that are in the primeval darkness and waters, not touched by the sun. They have no boundaries or cardinal directions. A list of decans that may originate in the Middle Kingdom are provided in Texts S through X. These captions tell us the decans work and their periodic invisibility, including their transit through the meridian. The text labeled Dd through Ff explain migratory birds and their nests.

In the cenotaph of Seti I at Abydos, we find a text reporting a quarrel between Geb and Nut because she is swallowing their children, the stars. The dispute is settled by their father, Shu, who advises that the Nut give birth to the stars each time so they might live.


The Book of the Day



The Book of the Day, though found in the royal necropolis at Tanis, along with excerpts from the tomb of Osorkon II and a nearly complete version in the tomb of Shoshenq III, is also depicted within the tomb of Ramesses VI. The latest version of the book we have is from the private tomb of Ramose (TT132) that dates from the 25th Dynasty. Otherwise, only brief components of the text regarding the hours of the day have been discovered on sarcophagi and papyri of the Late Period. Also related are the hymns to the hours of the day in the pronaos of the Edfu Temple.

Champoliion originally copied versions of the book from the sarcophagus chamber and corridors of the tomb of Ramesses VI, but they received little attention. In 1942, Alexandre Piankoff published and edition of the book but without regard to the Tanis versions.

The scene and captions of this book are arranged under the figure of the sky goddess Nut, with her arms and legs spread out. All of the figures within the scene face the head of Nut, and so the end of the book. Arranged horizontally into five registers, the text follows the course of the twelve hours of the day. This arrangement, however, makes it unclear where one hour ends and the next begins. A prologue and concluding representation stand out from the main text. It should also be noted that the Book of the Day and the Book of the Night may have been intended as a single entity, but they are only shown together in the tomb of Ramesses VI.

The Book of the Day is notable because, unlike most of the funerary text, it is focused on the journey of the sun god during the day, rather than his nocturnal voyage through the underworld. Hence, the sun god appears with a falcon's head rather than his ram-headed nighttime image. Yet underworld motifs such as the repulsing of Apophis and the Field of Reeds occur in the middle of the composition. Mostly, this book is concerned with the enumeration of deities, with little descriptive text.
The Beginning of the Book of the Day
Book of the Day showing Apophis


Book of the Day showing the Last Hour


Conclusion of the Book of the Day


The Book of the Night



The first version of the Book of the Night that we know of comes from the Osireion at Abydos, and only extends to the ninth hour of the night. There was a copy in the tomb (KV8) of Merneptah on the ceiling of the antechamber, but it is mostly gone now. Ramesses IV included this book next to the Book of Nut on the ceiling of his sarcophagus chamber, though only as far as the fourth hour. However, the tomb (KV9) of Ramesses VI gives us two complete copies, one on the west side of the ceiling of the sarcophagus chamber while the second version is spread out through earlier chambers Both versions are complemented by representations of the Book of the Day. We also find scenes from the book in the tomb of Ramesses IX



In all of these instances, the book is depicted on the ceiling of the New Kingdom tombs, though at Tanis, they shifted to the walls. Osorkon II combined it with the Book of the Day, while Shoshenq III followed Seti I's version.

During the Late Period, we also find extracts from the book in several tombs, including TT33, 132 and 410, along with fragments from the Nilometer at Roda. Even as late as the 30th Dynasty we may also note examples on sarcophagi, where they are combined with hours from the Amduat. There are also text from the second hour of the night found in the solar sanctuaries of Deir el-Bahri, Medinet Habu and Karnak.

Again, Champollion provided the initial copies of the versions found in the tomb of Ramesses VI, and later Eugene Lefebure added the Ramesses IV version in 1889. Edouard Naville discovered the version of the Book of the Night in the cenotaph of Seti I at Abydos in 1914, which was published by Henri Frankfort in 1933. Alexandre Piankoff also published the Book of the Night in 1942, but again did not take into account the versions found in the Tanis tombs. That version was replaced by one written by Gilles Roulin.

The Book of the Night is divided into twelve sections separated from each other by vertical line of text designated as "gates". Unlike the Book of Gates, these precede the hours of the night to which they belong. The arms and legs of Nut represent the first and last gate, though the first hour is not presented. For each hour there is an introductory text which provides the most important details, though the remaining captions are brief.

The book is arranged in three registers that are staggered into five to seven registers due to space considerations. The sun barque travelers through the center register. Within this boat, the sun god, who is in his shrine, is surrounded by the coils of the Mehen-serpent while another serpent protects him. The crew of his boat features Sia at the prow as the spokesman of the god, Hu at the stern, Ma'at, and in the version at Abydos, the king. Within the upper registers are various deities while the lower register features various groups of deceased people, including the blessed and the damned. In front of the boat is a large group of towmen, sometimes as many as thirty, called the Unwearing Ones, who are led by the king. There is no descriptive text like that found in he Books of the Netherworld, and generally, the registers are not divided into scenes. At the end, a summary of the entire course of the sun is provided.

There must obviously be many similarities between this book and other Books of the Netherworld. Interestingly, however, the sun's enemy Apophis does not appear in this book at all though he appears in the Neitherworld books. Instead, the repelling of Seth is mentioned several times.

This book complements the Book of the Day, beginning at the point where the sun god is swallowed by Nut and ending when she gives birth to him in the morning as a scarab. The sun god take the form of the Ram-headed nocturnal god, and is designated as flesh.

Sia takes an important role in this book, appearing as the spokesman of the sun god. The sun god has his own escort in the middle register of each hour, in place of the hour goddesses who accompany him in the Amduat and the Book of Gates.

Only in the Seti I version are remains of an introductory text. Here, the sun god provides us with an explanation of the goal of his journey through the underworld, which has to do with judging the damned and caring for the blessed. The primeval darkness is mentioned as a border area.

As in the Amduat and the Book of Gates, the first hour is seen as interstitial, and thus is not presented. The book begins with the second hour, where in the upper register depicts both individual and groups of deities. These include the deities of the four cardinal points, the bas of Buto and Hierakonpolis, and the two Enneads, which stand for the all divine beings.

In the upper register of the seventh hour, general forms also appear that represent existence and nonexistence. To their opposite are all of the deceased in the lower register, appearing as transfigured ones (akhu), mummies and the "dead", who are damned.

Missing is the union of Re and Osiris, found in other funerary text, though the representation of bas and corpses in the lower register of the sixth hour indicates the longed for union in the depths of night, with which the regeneration in the seventh hour is connected. Here, the critical moment requires the overcoming of various enemies. In the lower register of the seventh hour, another motif that first appears in the Book of Gates (13th scene) takes form. here, Horus looks upon both foreigners (shown as Asiatics, Libyans, Medja bedouins and Nubians) and Egyptians (shown as dwellers in the fertile land and the desert). The foreigners are depicted as bound enemies. The speech of the sun god also includes motifs from the 21st scene of the Book of Gates.

On the lower register of the eighth hour we find an enthroned Osiris, with Horus and the other gods connected with him in attendance. He is shown in victory over enemies, though only in Late Period representations are they directly addressed as Seth. Here, the groups of the blessed and damned are turned to Osiris is prayer, and their depiction continues into the ninth hour, when they are addressed by Sia. He dictates their fate in the afterlife and their attachment to Osiris, but in the tenth hour, only the blessed appear in the lower register.

The tow-men preceding the solar barque are joined by four jackals designated "Western bas" in the twelfth and last hour. Here, the deities, including Osiris, in the lower register pray before the concluding representation which summarizes the entire course of the sun. The sun god, with the help of the primeval gods, is transformed into a scarab and a child. In the backdrop are the two boats of his daytime and nighttime passage, together with Isis and Nephthys who were later depicted in the prow of the barques, keeping the sun in motion between them. The text here refers to the total course of the sun god in the three cosmic realms consisting of the netherworld (Duat), the primeval waters (Nun) and the sky (Nut).

At the end is a description of the "Western bas". who tow the sun god into the sky.
1st and 2nd Hour of the Book of the Night
3rd Hour of the Book of the Night


4th Hour of the Book of the Night


5th Hour of the Book of the Night


6th Hour of the Book of the Night;


7th Hour of the Book of the Night



8th Hour of the Book of the Night


9th Hour of the Book of the Night



10th Hour of the Book of the Night

11th Hour of the Book of the Night


11th Hour of the Book of the Night

12th Hour of the Book of the Night


Conclusion of the Book of the Night