Translate


Search This Blog

Featured Post

The Magic Book, c. 1100 BCE

Tales of Ancient Egypt:  Princess Ahura:  We were the two children of the King Merneptah, and he loved us very much, for he had ...

Showing posts with label dynastic period. Show all posts
Showing posts with label dynastic period. Show all posts

Tuesday, November 7, 2017

ORIGIN OF ILLUSTRATED GUIDES TO THE OTHER WORLD.



THE inhabitants of Egypt during the Dynastic Period of their history possessed, in common with other peoples of similar antiquity, very definite ideas about the abode of departed spirits, but few, if any, ancient nations caused their beliefs about the situation and form, and divisions, and inhabitants of their Heaven and Hell, or "Other World," to be described so fully in writing, and none have illustrated the written descriptions of their beliefs so copiously with pictorial representations of the gods and devils, and the good and evil spirits and other beings, who were supposed to exist in the kingdom of the dead. It is now generally admitted that Egyptian Dynastic History covers a period of nearly five thousand years, but it must not

be assumed for one moment that it is at present possible to describe in a connected or complete form all the views and opinions about their Other World which were held by the theologians and the uneducated classes of Egypt during this long space of time, and it must be said at once that the materials for such a work are not forthcoming. All that can be done is to collect from the copies that have come down to us of the books which relate to the state and condition of the dead, and to the abode of departed spirits, the beliefs which are enunciated or referred to therein, and, taking them so far as possible in chronological order, to piece them together and then make deductions and draw general conclusions from them. We must always remember that the texts of the various Books of the Dead are far older than the illustrations found in the later recessions of them which are now in our hands, and that such illustrations, in matters of detail at least, reflect the opinions of the priestly class that held religious supremacy at the time when they were drawn or painted. In cases where archetypes were available the artist was careful to follow in all general matters the ancient copies to which he had access, but when new beliefs and new religious conceptions had to be illustrated, he was free to treat them pictorially according to his own knowledge, and according to the wishes of those who employed him.

The oldest Books of the Dead known to us, that is to say, the religious compositions which are inscribed on the walls of the chambers and corridors of the pyramids of kings Unas, Teta, Pepi I., Mer-en-Ra, and Pepi II., are without illustrations of any sort or kind, and it is not easy to account for this fact. That the Egyptians possessed artistic skill sufficient to illustrate the religious and general works which their theologians wrote or revised, under their earliest dynasties of kings of all Egypt, is evident from the plain and colored bas-reliefs which adorn the walls of their mastabas, or bench-shaped tombs, and we can only point out and wonder at the fact that the royal pyramids contain neither painted nor sculptured vignettes, especially as pictures are much needed to break the monotony of the hundreds of lines of large hieroglyphics, painted in a bluish-green color, which must have dazzled the eyes even of an Egyptian. The reason, however, why such early texts are not illustrated is probably not far to seek. Professor Maspero has proved that the "pyramid texts" contain formulas and paragraphs which, judging from the grammatical forms that occur in them, it is easy to see must have been composed, if not actually written down, in the earliest times of Egyptian civilization. These formulas, &c., are interspersed with others of later periods, and it seems as if, at the time when the "pyramid texts" were cut into stone, these religious compositions were intended to contain expressions of pious thought about the hereafter which would satisfy both those who accepted the ancient indigenous beliefs, and those who were prepared to believe the doctrines which had been promulgated by the priests of the famous brotherhood of Ra, the Sun-god, who had made their head-quarters in Egypt at Annu, i.e., On, or Heliopolis. The old native beliefs of the country were of a more material character than the doctrines which the priests of Heliopolis taught, but it was found impossible to eradicate them from the minds of the people, and the priests therefore framed religious works in such a manner that they might be acceptable both to those who believed in the old animal-gods, tree-gods, plant-gods, &c., of Egypt, and those who preferred a purely solar cult, such as that of the worship of the Sun-god Ra. The oldest Books of the Dead, in fact, represent the compromise arrived at under the IVth, Vth, and VIth Dynasties, between the priests of the old and the new religions. This being so, the religious texts of the period represent too much a patch-work belief for purposes of systematic illustration, and in the result, and perhaps also through the funeral customs of the day, the growth in men's minds of the wish for illustrated guides to the Underworld was retarded.

When the glory of sovereignty departed from the kings who held court at Memphis after the end of the rule of the VIth Dynasty, the system of solar theology, which had been promulgated in Lower Egypt by the priests of Heliopolis, began to make its way into Upper Egypt, and wherever it came it assumed a leading position among the religious systems of the day. The kings of the VIIth and VIIIth Dynasties, like those of the IIIrd, IVth, and VIth, came from Memphis, but they had comparatively little power in the land, and, so far as we know, they did not build for themselves pyramids for tombs, and there is no evidence forthcoming to show that they filled the walls of their sepulchers with religious texts. They carried on neither wars nor building operations of any importance, and it seems that their tombs were neither large nor magnificent. Owing to their feeble rule the governors of Suten-henen, or Herakleopolis, and those who ruled in the provinces near that city, succeeded in gaining their independence, and the kings of the IXth and Xth Dynasties were Herakleopolitans; their rule gradually extended to the south, and the religious influence of their priests was so great that they succeeded in forcing many of their mythological legends and beliefs into the accepted religion of the country, and these subsequently became part and parcel of the great Recension of the Theban Book of the Dead. The dominion of the Herakleopolitans, however, was of comparatively short duration, and it collapsed under the attacks of the bold and vigorous governors of the Thebaïd, whose capital was at Thebes. Judging from the historical evidence concerning the period which lies between the VIth and the XIth Dynasties, neither the two last Memphitic nor the two Herakleopolitan Dynasties of kings did anything to improve the general condition of the country, and it seems as if they found it necessary to employ all their energies to maintain their position and the little real power in the country which they possessed.

As this was the case, we need not wonder that all magnificence disappeared from funeral rites and ceremonies, and that the tombs of the period were small and unimportant. The gods were worshiped and the dead were buried as matters of course, but it goes without saying that kings, whose authority was not consolidated, and whose power was ineffective except in the immediate neighborhood of the towns in which they lived, who were unable to wage wars in Syria and Sinai and to bring back much spoil, could neither establish Colleges of priests nor endow new temples; for in ancient Egypt, as elsewhere, the fortunes of the gods and the wealth of their sanctuaries increased or declined according as the inhabitants of the land were prosperous or otherwise. Similarly also, when the community was suffering from the evil effects of a long period of civil wars, and business was at a standstill, and farmers were unable to carry on the usual agricultural operations on which both the government and the priesthood ultimately depended for support, it was impossible for men to bury their dead with all the pomp and ceremony which were the characteristics of funerals in times of peace and prosperity. The innate conservatism of the Egyptians made them cling to their ancient beliefs during this period of stress, but no important pyramids were built, and very few private funeral chapels were maintained at expensive rates, and the souls of the dead were committed to such protection as could be obtained by the prayers of their relatives and friends, and by the utterance of religious formula, and by inexpensive amulets.

With the rise to power of the Princes of Thebes, things took a turn for the better so far as worship in the temples and the care for the dead were concerned. So soon as they had overcome their enemies the Princes of Herakleopolis, and their confederates the Princes of Asyut, and had firmly established themselves on the throne of Egypt, they sent men to reopen the quarries in the First Cataract and in the Wadi Hammamat near Coptos. This is a sure proof that the new line of kings, most of whom bear the name of Menthu-hetep, had need of large quantities of granite, and of sandstone of various kinds, and such materials can only have been required for the building of temples and palaces, and funeral altars and stelae, sarcophagi, &c. The fact that the work was begun again in the quarries also proves that the authority of the Menthu-heteps was well established. Menthu-hetep II., we are told by an inscription set up in the Wadi Hammamat by his officer Amen-em-hat, caused to be quarried a block of stone which measured eight cubits, by four cubits, by two cubits, i.e., about thirteen feet six inches long, six feet six inches wide, and three feet six inches thick, and it is probable that he required this for a sarcophagus. This king is also famous as the maker of a well in the desert, the mouth of which was about sixteen feet six inches square; and at one time he employed several thousands of men, including three thousand carriers or boatmen, in his stone-works. His successor, Menthu-hetep III., continued the work in the quarries, and built himself a pyramid, called Khu-ast, in the mountain of Tchesert at Thebes, which may now be identified with that portion of the great Theban cemetery to which the name Der al-Bahari was given by the Arabic-speaking Egyptians.

This building is mentioned in the great Abbott Papyrus preserved in the British Museum (No. 10,221), where it is declared to have been found unviolated by the members of the Commission which was appointed to inquire into the condition of the royal tombs, after the robberies which had taken place in them about the period of the rule of the priest-kings of Thebes, B.C. 1,000. The remains of the tomb of Menthu-hetep III. have been recently discovered, and though at the time of writing it has not been completely excavated, sufficient has been done to show that it is a very remarkable building. It is clear that the lower part of it is rectangular, and that it was surrounded by a colonnade; the outside is eased with limestone slabs, behind which is a "wall of rough and heavy nodules of flint, and the middle is filled with rubbish and loose stones." On this rectangular building, or base, a small pyramid probably stood, at least, this is what we should expect. The remains already excavated prove that this base was surrounded by a triple row of columns, which supported a ceiling and formed a hypostyle passage or colonnade, which "must have been quite dark, or nearly so (like the ambulatories surrounding the shrines in later temples), for the outside was closed by a thick wall." Between this wall and the edge of the platform on which the building stood was an outer colonnade of square pillars, but the pillars no longer exist. In the rock below the pavement of this colonnade a number of tombs were hewn; each consisted of a pit from twelve to fifteen feet deep, which led to a small rectangular chamber, wherein originally stood a limestone sarcophagus. In these tombs women who were both priestesses of Hathor and members of the royal harim were buried, and further excavations will no doubt reveal the fact that Menthu-hetep's high officers of state were buried in somewhat similar tombs in the immediate neighbourhood of the remarkable monument which the Egypt Exploration Fund has brought to light through the exertion of Prof. E. Naville and Mr. H. R. Hall.

The facts given above indicate that Menthu-hetep III. built a splendid tomb at Thebes, and it seems that in certain particulars he copied the royal pyramid tombs of the IVth, Vth, and VIth Dynasties. It is unlikely that the superstructure which he set upon the rectangular base, to which reference has been made above, and which is assumed to have been in the form of a pyramid, was as large as any of the important pyramids of Giza, and the base on which it rested is "a new and interesting fact in Egyptian architecture"; but when he set his funeral monument on the rocky platform in the mountain of Tchesert it is more than probable that either he or his architect had in mind the rocky platform on which the great Pyramids of Giza stand, and it seems as if he built it on a massive rectangular base, so that it might appear conspicuous and imposing from a distance. Like the earlier royal builders of pyramids, Menthu-hetep built a funeral temple in connexion with his pyramid, and established an order of priests, who were to perform the services and ceremonies connected with his worship, and he allowed the ladies of his court to be buried round about it, just as did the kings of old who reigned at Memphis. The great feature of Menthu-hetep's monument, which has no parallel in the older pyramids in the north of Egypt, is the ramp, with a double row of square columns on each side of it, which he built on the front or eastern face of the temple platform.

Now whilst Menthu-hetep III. was employed in building his pyramid and funeral temple, the hereditary governors and nobles of important provinces in Upper Egypt were not slow to avail themselves of the opportunity which peace and the renewed prosperity of the country gave them, and they began to make rock-hewn tombs for themselves and the members of their families in the hills, and to cause their bodies to be buried in elaborately inscribed or painted wooden coffins. Of coffins of this period, one of the oldest examples is that of AMAMU which was purchased by the Trustees of the British Museum so long ago as 1834. On the inside of this coffin is inscribed in black ink in the hieratic character a series of texts which are extracts from the Heliopolitan Recension of the Book of the Dead; these are enclosed within a coloured border, formed of rectangles, painted in blue, green, yellow, and red. Above the texts are carefully drawn, and painted as nearly as possible in their natural colours, representations of most of the objects which the deceased hoped he would use in the Underworld, and these pictures prove that the knowledge of the elaborate funeral rites and ceremonies, which were observed at Memphis under the IVth Dynasty, had descended in a complete state to the period when Amamu's coffin was made and ornamented.

In connection with Amamu's coffin reference must be made to a large group of coffins which was excavated a few years ago at Al-Barsha, a place situated on the north side of a rocky valley, just behind the modern Coptic village of Der An-Nakhla, near Shekh Abada (the ancient Antinoë), in Upper Egypt. All the coffins found here are rectangular in shape, and have so much in common with the coffin of Amamu, in respect of shape, and in the arrangement of their texts and pictures, including the representations of mastaba doors, that it seems impossible to assign to them a date much earlier or later than the period of the XIth Dynasty. For our present purpose, however, whatever be their exact date, they are of the greatest importance, for on the insides of the panels of some of them are painted the oldest known illustrations of certain sections of Books of the Dead. The texts inscribed on them contain extracts from the Heliopolitan Recension of the Book of the Dead, of which we know so much from the selections given in the Pyramids of Unas, Teta, and other kings, but side by side with these are copies of chapters belonging to Books of the Dead, which seem to have been originally composed at some anterior period, and which were intended to reflect the more popular and more materialistic religious views and beliefs. Among such books must be mentioned the "Book of Two Ways," or the "Two Ways of the Blessed Dead," of which a version inscribed on a coffin in the Berlin Museum has been recently published. The rubrical directions of this work show that it was compiled when implicit belief existed in the minds of the Egyptians as to the efficacy of certain "words of power" (hekau) and of pictures of the gods, and it is clear that many portions of it are purely magical, and were intended to produce very material results. Thus concerning one passage a rubric says, "Whosoever knoweth this Chapter may have union with women by night or by day, and the heart (or, desire) of the woman shall come to him whensoever he would enjoy her." This rubric follows a text in which the deceased is made to pray for power of generation similar to that possessed by the god Beba, and for the will and opportunity of overcoming women, and it was to be written on a bandlet which was to be attached to the right arm. Moreover, the soul which had knowledge of certain sections of the work would "live among the living ones," and would "see Osiris every day," and would have "air in his nostrils, and death would never draw nigh unto him." The illustrations which accompany the texts on the coffins from Al-Barsha make it evident that under the XIth Dynasty the Egyptian theologian had not only divided the Under-world in his mind into sections, with doors, &c., but that he was prepared to describe that portion of it which belonged to the blessed dead, and to supply a plan of it! Besides the sections from the "Pyramid Texts," to which reference has already been made, and the "Book of the Two Ways," the coffins of Al-Barsha contain a number of texts of various lengths, many of which have titles, and resemble in form the Chapters of the great Theban Recension of the Book of the Dead. Examples of these have been published in Prof. Maspero's Recueil de Travaux, tom. xxvi., p. 64 ff., by M. P. Lacau, e.g., "Chapter of the Seven Addresses of homage to the goddess Meh-urt"; [Chapter of] "the reassembling of the kinsfolk of a man in Neter-khert"; "Chapter of driving back Kebka"; "Chapter of setting out for Orion," &c.

From the considerations set forth above it is quite clear that the practice of illustrating certain sections of Books of the Dead existed under the XIth Dynasty, and there is no good reason for doubting that it continued to be observed during the prosperous rule of the kings of the XIIth Dynasty. Under the IVth, Vth, and VIth Dynasties the selections of extracts from Books of the Dead which were intended to benefit royal souls in the Underworld were cut upon the walls of the chambers and corridors of their pyramids, and in the case of private individuals texts intended to produce the same effect were usually cut into the walls of the chambers wherein their stone sarcophagi were placed. The pyramids of the kings of the XIth and XIIth Dynasties, whether in the north or south of Egypt, are not, so far as the information at present available goes, characterized by lengthy extracts from Books of the Dead, and officials and men of rank in general were content to dispense with the cutting of religious inscriptions into the sides of stone sarcophagi, and into the walls of the passages and chambers of their tombs in the mountains, and to transfer them to the sides of their brightly painted, rectangular wooden coffins. The practical advantages of this change are obvious. Wooden coffins were easier to obtain and cheaper than stone sarcophagi, longer and fuller selections from religious texts could be easily and quickly traced upon them in the hieratic character, which an expert scribe could, no doubt, write at a rapid rate, the expense of adding coloured drawings was small, and, above all, the deceased would have close to his mummy the sacred writings on which he so greatly relied for assistance in the Other World. The coffin which was fully inscribed could easily be made to hold copies of all the texts deemed to be of vital importance to the dead, and such a coffin when, as was frequently the case, it was placed in a massive, outer, wooden coffin, served the purpose of the large rolls of papyri inscribed with religious and funeral texts, and illustrated with elaborately painted vignettes, which were buried with the dead from the XVIIIth to the XXVIth Dynasty.

After the death of Amen-em-bat III., who was perhaps the greatest king of the XIIth Dynasty, the whole country fell into a state of confusion, and the kings of Thebes ceased to be masters of all Egypt. The kings of the XIIIth Dynasty were Theban and reigned at Thebes, and appear to have maintained their hold in a considerable degree upon Upper Egypt; but the kings of the XIVth Dynasty reigned at Xoïs, in the Delta, and many of them were contemporaries of the kings in Upper Egypt. The kings of the XVth and XVIth Dynasties were Hyksos, or "Shepherd Kings," and their rule was overthrown by Seqenen-Ra, III., a king of the XVIIth Dynasty, and a Theban, probably about B.C. 1800. In the interval between the XIIth and the XVIIIth Dynasties the ceremonies connected with the worship of the gods in their temples, and the funerals of kings and officials, lost the magnificence which had characterized them under the XIIth Dynasty, and the building of pyramids and the making of rock-hewn tombs ceased for a period of some hundreds of years. With the rise to power of the Theban kings, who formed the XVIIIth Dynasty, a marvellous development of temple and funeral ceremonies took place, and, thanks chiefly to the vast quantities of spoil which were poured into Thebes by the victorious armies of Egypt on their return from Western Asia, the cult of the gods and of the dead assumed proportions which it had never reached before in Egypt.

The chief deity of Thebes was Amen, the "Hidden," or perhaps "unknown," god, in whose honour a shrine was built to the north of the city, in a place called "Ap," or "Apt," by the Egyptians, and "Karnak" by the modern inhabitants of Luxor. It is impossible to say at present exactly when the first sanctuary of this god was built at Thebes, but the discovery of the large collection of 457 votive statues of kings and officials and other objects, made by M. Legrain in 1901-2, indicates that the foundation of the sanctuary of Amen dates from a very early period of Dynastic History. Be this as it may, the god Amen seems to have enjoyed no special importance or popularity in Egypt until the XIIth Dynasty, when his sanctuary appears to have been rebuilt and enlarged; but so long as his priests were dependent for maintenance upon the revenues of Upper Egypt alone neither they nor their god can have enjoyed any very great wealth. When Seqenen-Ra III. defeated the Hyksos, and made himself master of all Egypt, and when Aahmes I. (Amasis) drove the Hyksos out from their stronghold Avaris, in the Delta, thus completing the work of the deliverance of the country from a foreign yoke, which Seqenen-Ra III. had begun, they attributed the success of their arms to their god Amen, who was from this time forward regarded not only as the principal god of the Egyptians, but as the "king of the gods." Soon after Amen-hetep I., the successor of Aahmes I., came to the throne, he made war against the Nubians, and became master of the gold-producing districts of the Eastern Sudan. His next care was to rebuild, or perhaps to repair and add to, the sanctuary of Amen, and he founded the famous College of priests of Amen, whose counsels guided, both for good and for evil, the destinies of Egypt for several hundreds of years. He richly endowed these priests and their god and his temple, and on many of the coffins of this brotherhood are representations of members of the order in the act of worshipping his names, and of pouring out libations before his cartouches. The priests of Amen had, no doubt, good reason for worshipping Amen-hetep with such devotion.

It is unnecessary to describe in detail the growth of the cult of Amen under the XVIIIth Dynasty, and it will suffice to say that the history of his cult is, practically, the history of Egypt for nearly one thousand years. His priests made him possessor of the principal attributes and titles of all the ancient gods of Egypt, and their absolute power enabled them to modify the old systems of belief of the country. They introduced the primitive gods of the land into their own system of theology, but assigned to them subordinate positions and powers inferior to those of Amen, or Amen-Ra, as he was called, and the new editions of most of the old religious works which appeared at Thebes bore the traces of having been edited in accordance with their views and opinions. In many of its aspects the cult of Amen was less material than that of many of the old gods, and the religion of the priests themselves ruthlessly rejected many of the primitive beliefs which survived among the populace in general. They were obliged to tolerate and respect the universal belief in Osiris as the judge, king, and god of the dead, for they, of course, found it impossible to eliminate from the minds of the people the effect which the traditions of a material heaven, handed down for untold generations, had made upon. them. Among the servants of Amen and his temple, however, there were some who preferred to put their faith in the religious writings which had satisfied their ancestors many centuries before, and to these we owe the great collection of religious and funeral texts called PER EM HRU, "[The Book of] Coming forth by Day," which is now commonly known as the Theban Recension of the Book of the Dead.

It is true that the subject matter of many of the texts is older than the IVth Dynasty, and that the phraseology of some dates from the period of the Vth and VIth Dynasties, and that the forms in which most of them are cast are not more recent than the XIth or XIIth Dynasty, but it is equally true that the editing and arrangement of them by the Theban priests, to say nothing of the addition of supplementary hymns, Chapters, and coloured illustrations, produced a very decided change in the general teachings of the collection.

"The Book of Coming Forth by Day," in its Theban form, was an illustrated guide to the kingdom of Osiris, but its teachings did not satisfy the strict followers of Amen-Ra, and they brought into use a Recension of a work in which they were able to promulgate the particular ideas of their order as to the future state of the dead. The followers of Osiris believed that the righteous dead would find their everlasting abode in the kingdom of that god, and would enjoy in a fertile land, with running streams, a life very like that which the well-to-do Egyptian lived upon earth. The followers of Amen-Ra aimed at securing a place in the boat of the Sun-god, i.e., the "Boat of Millions of Years," so that they might sail over the sky with him each day, and enjoy the sight of the earth on which they had lived, and might, under his all-powerful protection, pass through the regions of darkness by night, and emerge in heaven, being reborn each day. In the kingdom of Osiris the beatified dead ate bread-cakes made from one wonderful kind of grain, and drank beer made from another kind, and enjoyed conjugal intercourse, and the company of their relations and friends; all their material comforts were supplied by the use of words of power, by which they even obtained entrance into that kingdom.

Entrance to the Boat of Millions of Years was likewise obtained by the knowledge of magical words and formulae, and of the secret names of the great gods, but the food on which lived the beatified souls who succeeded in securing a place in the Boat consisted of the emanations of the god Ra, or, according to the priests of Amen, Amen-Ra. In other words, the beatified souls in the Boat became beings formed of the light of Ra, on which they subsisted. The belief that the souls of the righteous flew into the Boat of Ra is a very old one, but the doctrine in the form in which it was developed by the priests of Amen can never have been universally accepted in Egypt, for it was not sufficiently material to satisfy any but the educated classes. The great kings of the XVIIIth and XIXth Dynasties, being convinced that their military successes were due to the influence and operation of Amen-Ra, dutifully accepted the instructions of the priests of the god in all matters relating to his worship, and they permitted them to prepare tombs for them in the Valley of Biban al-Muluk at Thebes, which were built and ornamented according to the views held by the followers of Amen-Ra concerning the Other World. The oldest tombs here, i.e., those of the XVIIIth Dynasty, are usually entered by means of long, sloping corridors that lead down into the chambers which held the sarcophagi, and into smaller halls which adjoin the large chambers; in the later tombs the corridors are often very long, and it is this characteristic which caused certain Greek writers to call them Σύριγγες, i.e., "shepherd's pipes." Of the forty-five tombs in this valley (Strabo mentions forty only), the oldest royal tomb appears to be that of Thothmes I., and the most recent that of Rameses XII., of the XXth Dynasty. These tombs vary greatly in details, just as they do in size and in the arrangement and number of their chambers, but it seems that each tomb was intended to represent the Underworld, and that the ceremonies, which were performed in it as. the mummy was taken from the entrance to the last chamber in which it was to rest, were highly symbolical, and that the progress of the body through the tomb was, so far as it was possible, made to resemble that of the Sun-god through the hours of the night in the Other World.

The religious texts with which the walls of the royal tombs are decorated do not consist of extracts from the funeral works of the Ancient and Middle Empires, but of sections from a work entitled AM-TUAT, i.e., [The Book of] "what is in the Tuat," or Underworld, and many of these are illustrated more or less fully with coloured pictures of the gods, mythological scenes, &c. The rubrics show that portions of this work belong to remote antiquity, and many of the beliefs which appear in it are the products of the period when the Egyptians were partly, if not wholly, savages. In the book itself numbers of gods and mythological beings are mentioned whose names are not found elsewhere in Egyptian literature. As we find it in the tombs of the royal followers of Amen, the Book "Am-Tuat" contains all the dogmas and doctrines which the priests of Amen held concerning the future life and the state. and condition of the dead, and it is quite easy to see that the great object of those who compiled it was to prove that Amen-Ra was not only the head of the gods in heaven, and the ruler of the world which he had created, but also the king of all the gods of the dead, and the master of all the beings who were in the Underworld. In other words, the priests of Amen asserted the absolute sovereignty of their god, and their own religious supremacy. It is, however, interesting to note that certain kings did not entirely shake off their belief in Osiris, and in the efficacy of the Chapters of the Book of Coming Forth by Day, for Thothmes III. was swathed in a linen sheet on which was written a copy of the CLIVth Chapter, and Amen-hetep III. was rolled up in sheets whereon extracts from several Chapters of that work were inscribed. Seti I. went a good deal further, for although fully illustrated copies of Divisions I.-XI. of the Book "Am-Tuat" were painted on the walls of his tomb, he took care to have a complete copy of the Book of Gates, with full illustrations, and copies of the LXXIInd and LXXXIXth Chapters of the Book of Coming Forth by Day cut on his alabaster sarcophagus.

The Chapter which Thothmes III. believed to be all-powerful is entitled "Chapter of not letting the body perish," and if its words really express his convictions, he must have been terrified at the idea of his material body falling into dust and decay, and must have hoped for its resurrection through Osiris. The Chapters which Seti I. had cut on his sarcophagus are entitled the "Chapter of Coming Forth by Day, and of making a way through Ammehet," and the "Chapter of causing the soul to be united to its body in the Underworld." In the former he declares that he knows the names of the gods who preside over the Other World, and also the proper words of power, and because he has this knowledge he demands admission into Sekhet-Aaru, a portion of Osiris's kingdom of Sekhet-hetepet, and a constant and abundant supply of wheat (for bread), barley (for beer), incense, unguents, &c., and the power to assume any form he pleases at will. In the latter he calls upon certain gods to make his soul rejoin its body, and, addressing the gods who tow the Boat of Millions of Years, he asks them to cause him to be born from the womb of the Sky-goddess Nut in the eastern horizon of heaven, [daily,] for ever.

It has already been said that a complete illustrated copy of the Book of Gates was also inscribed on the sarcophagus of Seti I., and it is not easy to explain this fact until we remember the important position which it makes Osiris to hold in the Other World. That the book is formed of very ancient materials is evident from the last sections, which certainly contain magical texts and pictures specially prepared with the object of making the sun to rise, and there is little doubt that the latter are representations of the ceremonies which the, primitive Egyptians actually, performed to produce that most desirable effect. The earlier sections of the Book are, full of magical ideas, but scattered among them are expressions of beliefs which, it seems, must belong to a later period of civilization, and passages which impress the reader with the idea that they were composed by men who believed that the righteous would be rewarded and the wicked punished in the world to come. Special prominence is given to the conception of the Judgment, wherein Osiris is the Judge of the dead. As the result of this Judgment the righteous have allotments of land meted out to them, which vary in size according to their deserts, and the wicked are slain, and their bodies cut in pieces, and their souls destroyed. In many particulars the views of the Book of Gates concerning the future state agree closely with those of the Book of Coming Forth by Day.

The net result of the facts stated in the last two paragraphs proves that Seti I. relied for salvation upon the protection, part magical and part religious, afforded by the sacred writings of two great schools of religious thought, the leaders of which in his day preached opposing and contradictory doctrines. It may be argued that by filling the walls of his tomb and sarcophagus with the texts of such books he was merely acting from the point of view of religious expediency, wishing to indicate his impartiality in respect of the followers of Amen and the followers of Osiris, and his respect for the ancient traditional beliefs, however material, crude, and impossible they may have appeared to him personally. This, however, is unlikely to have been the case, and it is far more probable that he believed every religious or funeral text to have its own special value as a means of salvation, and that he selected for inscribing on the walls of his tomb and sarcophagus those which he thought would bc the most likely to secure for him in the next world an existence which would be at once happy and everlasting. Therefore Seti I. provided himself with amulets, ushabtiu figures, magical formulae, pictures of gods and fiends to be used in working sympathetic magic, religious formulae and copies of hymns and funeral works, an inscribed tomb and sarcophagus, &c.; in fact, he was painfully anxious to omit nothing from the inscriptions in his tomb which would propitiate any god, or appease the wrath and turn aside the opposition of any of the fiends wherewith he had filled his Underworld.

Sunday, July 30, 2017

Lecture: THE CULT OF ATEN, THE GOD AND DISK OF THE SUN, ITS ORIGIN,

Horus
Among all the mass of the religious literature of Ancient Egypt, there is no document that may be considered to contain a reasoned and connected account of the ideas and beliefs which the Egyptians associated with the god Aten. The causes of his rise into favor towards the close of the XVIIIth dynasty can be surmised, and the principal dogmas which the founder of his cult and his followers promulgated are discover-able in the Hymns that are found on the walls of the rock-hewn tombs of Tall al-'Amarnah; but the true history of the rise, development and fall of the cult can never be completely known. The word aten or athen is a very old word for the "disk" or "face of the sun," and Atenism was beyond doubt an old form of worship of the sun. But there were many forms of sun-worship older than the cult of Aten, and several solar gods were worshiped in Egypt many. many centuries before Aten was regarded as a special form of the great solar god at all. One of the oldest forms of the Sun-god worshiped in Egypt was HER (Horus), who in the earliest times seems to have represented the "height" or "face" of heaven by day. He was symbolized by the sparrowhawk, the right eye of the bird representing the sun and his left the moon.


Nephthys
In later times he was called "Her-ur" or "Her-sems," the "older Horus," and it was he who fought daily against Set, the darkness of night and the night Sky, and triumphed over him.

The oldest seat of the cult of the Sun-god was the famous city of Anu the On of the Bible, and the Heliopolis of Greek and Latin writers.

Here, from time immemorial, existed a temple dedicated to the Sun-god, and attached to it was a college of his priests, who from a very remote period were renowned for their wisdom and learning. They called their god TEM or ATEM and in later times, at least, he was depicted in the form of a man wearing the Crowns of the South and North, and holding in his right hand ankh ("life") and in his left a sceptre. He was king of heaven and also of Egypt. He was a solar god and, like every other ancient god in Egypt, had absorbed the attributes of several indigenous gods whose names even are now not known. The Pyramid Texts show that he was all-powerful in heaven, and that his priests proclaimed him to be the greatest of all the gods. The supremacy of Tem is asserted in the various versions of the Book of the Dead, and all the other solar gods are regarded as forms of him in the various recensions of this work. Thus in the XVIIth Chapter he says: "I am Tem in his rising. I was the Only One [when] I came into existence in Nenu (or Nu). I am Ra when he rose for the first time. I am the Great God who created himself [from] Nenu, and who made his names to become the gods of his company. I am he who is irresistible among the gods. I am Tem, the dweller in his Disk, or Ra in his rising in the eastern horizon of the sky. I am Yesterday; I know To-day 'I am the Bennu (i.e., Phoenix) which is in Anu (Heliopolis), and I keep the register of the things which are created and of those which are not yet in existence." The Company of the gods over whom "Father Tem" presided consisted of Shu and Tefnut, Geb and Nut, Osiris and Isis, and Set and Nephthys. According to one tradition, Tem produced Shu and Tefnut from his own body, and these three gods formed the first Triad, or Trinity, Tem saying, "From [being] god one I became three."


Shu, son of Ra,
In the extract from the XVIIth Chapter given above, we must note that 1. Tem originally existed in Nenu, or Nu, the great mass of primeval waters. 2. He was the Only One in existence when he had come into being. 3. He created himself the Great God. 4. He possessed various names, and these he turned into the gods who formed his Pest or Ennead, merely by uttering their names. 5. He was irresistible among the gods, i.e., he was the Over-lord of the gods. 6. He comprehended time past and time to come. 7. He dwelt in the Solar Disk (Aten). 8. He rose in the sky for the first time under the form of Ra, and he was himself the Bennu, i.e., the Soul of Ra. 9. He kept the Registers of things created and uncreated. Though the papyrus from which we get these facts is not older than the XVIIIth dynasty, each of the statements which are here grouped exists in the various religious texts that were written under the Ancient Empire, say, two thousand years earlier.

Of the style and nature of the worship of Tem we know nothing, but, from the fact that he was depicted in the form of a man, we appear to be justified in assuming that it was of a character superior to that of the cults of sacred animals, birds and reptiles, which were general in Egypt under the earlier dynasties. Tem, the man-god, absorbed the attributes of Her-ur, the old Sky-god, and of Khepera, the Beetle-god, who represented one or more of the forms of an ancient Sun-god between sunset and sunrise, and of Her-aakhuti ("Horus of the two horizons"). Khepera was the sun during the hour that precedes the dawn. Her was the sun by day, and Tem was the setting sun; the names of these gods are of native origin. We may conclude that the priests of Tem incorporated into their forms of worship as many as possible of the rites and ceremonies to which the people had been accustomed in their worship of the older gods. For there was nothing strange in the absorption of one god by another to the Egyptian, the god absorbed being regarded by him merely as a phase or character of the absorbing god. The Egyptians, like many other Orientals, were exceedingly tolerant in such matters.
Tefnut,

The monuments prove that, quite early in the Dynastic Period, there was known and worshiped in Lower Egypt another form of the Sun-god who was called RA. Of his origin and early history nothing is known, and the meaning of his name has not yet been satisfactorily explained. It does not seem to be Egyptian, but it may be that of some Asiatic sun-god, whose cult was introduced into Egypt at a very remote period. His character and attributes closely resemble those of the Babylonian god Marduk, and both Ra and Marduk may be only different names of one and the same ancestor. The center of the cult of Ra in Egypt was Anu, or Heliopolis, and the city must have been inhabited by a cosmopolitan population (who were chiefly worshipers of the sun) from time immemorial. All the caravans from Arabia and Syria halted there, whether outward or homeward bound, and men of many nations and tongues must have exchanged ideas there as well as commodities. The control of the water drawn from the famous Well of the Sun, the 'Ain ash-Shams' of Arab writers, was, no doubt, in the hands of the priests of Anu, and the payments made by grateful travelers for the watering of their beasts, together with other offerings, made them rich and powerful. The waters of the well were believed to spring from the celestial waters of Nenu, or Nu, and the Nubian King Piankhi tells us that when he went to Anu he bathed his face in the water in which Ra was wont to bathe his face. We may note in passing that the Virgin Mary drew water from this well when the Holy Family halted at Anu.
Osiris,

Under the IVth dynasty the priests of Anu obtained very considerable power, and they succeeded in acquiring pre-eminence for their god Ra among the other gods of Lower Egypt. Whether or not they chose the kings cannot be said, but it is certain that they caused the name of Ra to form a part of the Nesu bat names of the builders of the second and third pyramids at Gizah. Thus we have KHAF-RA (Khephren) and MENKAU-RA (Mycerinus). Not satisfied with this, they rejected the descendants of the great pyramid builders, and set upon the throne a number of kings whom they declared to be the sons of their god Ra by the wife of one of his priests. The first of these adopted as his fifth, or personal name, the title of "Sa Ra," i.e., son of Ra. This title, which was certainly adopted by the kings of the Vth dynasty, was borne by every king of Egypt afterwords, and the Nubian, Persian, Macedonian, or Roman who became king of Egypt saw no absurdity in styling himself "son of Ra." Thanks to the excavations made by Borchardt and Schäfer, under the direction of F. von Bissing, several important facts dealing with the worship of Ra have been brought to light. The sun temples built by the later kings of the Vth dynasty were usually buildings about 325 feet long and 245 feet broad. At the west end stood a truncated, or "blunted," pyramid (A), and on the top of it was an obelisk made of stone (B). In front of the east side of the pyramid stood an alabaster B altar, and on the north side of the altar were channels along which the blood of the victims, both A animal and human, ran into alabaster bowls which were placed to receive it. On the north side of the rectangular walled enclosure was a row of store rooms, and on the east and south sides were passages, the walls of which were decorated with reliefs. Opposite the altar, on the east side, was a gateway; from this ran a path, which led by an inclined causeway to another gate, Which formed the entrance to another large enclosure, about 1,000 feet square. The priests lived in this enclosure, and in special chambers were kept the sacred objects which were carried in procession on days of festival.
Isis

The principal object of the cult of Ra and his special symbol was the obelisk, but it has been suggested that the earliest worshippers of the sun believed that their god dwelt in a particular stone of pyramidal shape. At stated seasons, or for special purposes, the Spirit of the Sun was induced by the priests to inhabit the stone, and it was believed to be present when gifts were offered up to the god, and when human victims, who were generally prisoners of war, were sacrificed. The exact signification of this sun symbol is not known. Some think that the obelisk represented the axis of earth and heaven, but the Egyptians can hardly have evolved such an idea; others assign to it a phallic signification, and others associate it with an object that produced fire and heat. That it symbolized Ra is certain, and there was in every sanctuary a shrine in which, behind sealed doors, was a model of an obelisk. The cult of the standing stone, or pillar, was probably older than the cult of Ra, and the old name of Heliopolis is Anu, i.e., the city of the pillar. The Spirit of the Sun visited the temple of the sun from time to time in the form of a Bennu bird, and alighted "on the Ben-stone, 1 in the house of the Bennu in Anu in later times the Bennu-bird, which the Egyptians regarded as the "soul of RA," was known as the Phoinix, or Phœnix.

Under the VIth dynasty the priests of Ra succeeded in thrusting their god into the position of over-lord of all the gods, and as we see from the names Ra-Khepera, Ra-Atem, Ra-Heraakhuti and the like, all the old solar gods of the north of Egypt were regarded as forms of Ra. He was king of heaven and judge of gods and men, and the attempt was also made to make the people accept him as the over-lord of Osiris and king of the Tuat, or Underworld. But in this last matter the priests failed, and Osiris maintained his position as the god and judge of the dead. The priests had assigned to Ra in the funerary compositions, which are now known as the "Pyramid Texts," great powers over the dead, and, in fact, over all the gods and demons and denizens of the underworld, but before a century had passed, Osiris had established absolute sovereignty over his realm of Amentt.

From what has been said above it is evident that, before the close of the VIth dynasty, the priests of the various solar gods of Lower Egypt had assigned to each of them all the essential powers and characteristics which Amenhetep claimed for his god Aten. But before we consider these powers in detail we must summarize briefly the principal historical facts relating to the rise and development of the Aten cult. Wherever a solar god was worshipped in Egypt the habitat of this god was believed to be the solar Disk (aten or athen) But the oldest solar god who was associated with the Disk was Tem, or Atmu, who is frequently referred to in religious texts as "Tem in his Disk"; when Ra usurped the attributes of Tem he became the "dweller in his Disk." Heraakhuti was the "god of the two horizons," i.e., the Sun-god by day, from sunrise to sunset, and in the hieroglyphs with which his name is written, we see the Disk resting upon the horizon of the east and the horizon of the west. Thothmes IV, who owed his throne to the priesthoods of Tem and Ra at Heliopolis, incorporated the name of Tem in his Nebti title, and styled himself "made of Ra," "chosen of Ra," and "beloved of Ra." As the name of Amen is wanting in every one of his titles, it seems reasonable to assume that his personal sympathies lay with the cult of the solar gods of the North and not with the cult of Amen of Thebes. But he maintained good relations with the priests of Amen, and made gifts to their god, who through the victories of Thothmes III was recognized in the Egyptian Win, Egypt, and Syria as the god of all the world.

Thothmes IV was succeeded by his son Amenhetep, the third king to bear the name, and the priesthood of Thebes asserted that he was the veritable son of their god Amen, whose blood ran in his veins. According to this fiction the god assumed the form of Thothmes IV, and Queen Mutemuaa became with child by him. How much or how little religious instruction the child received cannot be said, but it is probable that any teaching which he received from his mother, the princess of Mitanni, would make his mind to incline towards the religion of her native land. From the titles which Amenhetep assumed when he became king it is clear that he was content to be "the chosen of Ra," "the chosen of Tem," or "the chosen of Amen," and it seems to have mattered little to him whether he was the "beloved" and "emanation of Ra" or the "beloved" and "emanation of Amen." His predecessors on the throne of Egypt believed in all seriousness that they had divine blood in their veins, and they acted as they thought gods would act; they had themselves hedged round with elaborate ceremonial procedure, which made men believe that their king was a god. To Amenhetep all the gods of Egypt were alike, and we see from the bas-reliefs in the temple at Sulb, some fifty miles above the head of the Second Cataract, that he was as willing to worship himself and to offer sacrifices to himself as to Amen, in whose honour he had rebuilt the temple. It is impossible to think of his performing daily the rites and ceremonies which the king of Egypt was expected to perform in the shrine of Amen-Ra at Karnak, in order to obtain from the god the power and knowledge necessary for governing his people.

One of the most important events in his life, and one fraught with very far-reaching consequences, was his marriage with the lady Ti (or Tei), a private individual, apparently of no high rank or social position. In the Tall al-'Amarnah letters her name is transcribed Tei. Her father was called Iuau, and her mother Thuau. Their tomb was discovered in 1905, and it is clear that before the marriage of their daughter to Amenhetep III they were humble folk. According to a consensus of modern Egyptological opinion they were natives of Egypt, not foreigners as the older Egyptologists supposed. Be this as it may, there is no doubt that Ti was a very remarkable woman and that her influence over her husband was very great. Her name appears in the inscriptions side by side with that of her husband, a fact which proves that he acknowledged her authority as co-ruler with himself; and she assisted at public functions and in acts of ceremonial worship in a manner unknown to queens in Egypt before her time. Her power inside the palace and in the country generally was very great, and there is evidence that the king's orders, both private and public, were only issued after she had sanctioned them. In the Sudan the king was worshipped as a god, and as the son and equal and counterpart of Amen-Ra, and in the temple which Amenhetep built for her at Saddenga, some twenty or thirty miles south of Koshah, Ti was worshipped as a goddess. When Amenhetep married her, or perhaps when he became king, he caused a number of unusually large steatite scarabs to be made, with his names and titles and those of Ti cut side by side on their bases. On another group of large scarabs he caused his own names and titles, and the names of Ti and her father Iuau and mother Thuau, to be cut, and these are followed by the statement, "[She is] the wife of the victorious king whose territory in the South reaches to Karei (i.e., Napata, at the foot of the Fourth Cataract) and in the North to Naharn" (i.e. the country of the head waters of the Euphrates). Perhaps this is another way of saying the great and mighty king Amenhetep was proud to marry the daughter of parents of humble birth and to give her a position equal to his own. And it is possible, as Maspero suggested long ago, that some romantic episode is here referred to, similar to that in the old story where the king marries a shepherdess for love. What Ti's religious views were, or what gods she worshipped, we have no means of knowing, but the inscription which is found repeated on several large steatite scarabs suggests that she favoured the cult of Aten, and that in the later years of her life she was a zealous and devoted follower of that god. To please her Amenhetep caused a great lake to be made on her estate called Tcharukha in Western Thebes. This lake was about 1 1/8 mile (3,700 cubits) long and more than 5/8th of a mile (700 cubits) wide, and its modem representative is probably Birkat Habu. On the sixteenth day of the third month of the season Akhet (October), in the 11th year of his reign, His Majesty sailed over the lake in the barge called ATHEN-TEHEN i.e. "Aten sparkles." And in following years this day was celebrated as a festival. Both lake and barge were made to give the Queen pleasure, and the fact that the name of Aten formed part of the name of the latter, instead of Amen, has been taken to show that both the King and Queen wished to pay honour to this solar god. In fact, it was definitely stated by Maspero that this water procession of the King marked the inauguration of the cult of Aten at Thebes, and he is probably correct.

Amenhetep's children by Ti consisted of four daughters and one son; his daughters were called Ast, Henttaneb, Satamen and Baktenaten, and her son was Amenhetep IV, the famous Aakhunaten. Ti lived in Western Thebes during her husband's lifetime, and she continued to do so after his death. She visited Tall al-'Amarnah from time to time, and was present there in the twelfth year of her son's reign. What appears to be an excellent portrait of her is reproduced on Plate XXXIII of Mr. Davis's book on her tomb.

But his respect for Ti and the honor in which he held her did not prevent Amenhetep from marrying other wives, and we know from the Tall al-'Amarnah tablets that he married a sister and a daughter of Tushratta, the King of Mitanni. His marriage with Gilukhipa, the daughter of Shutarna and sister of Tushratta, took place in the tenth year of his reign. And he commemorated the event by making a group of large scarabs inscribed on their bases with the statement that in the tenth year of his reign Gilukhipa, the daughter of Shutarna, prince of Neherna, arrived in Egypt with her ladies and escort of 317 persons. Exactly when Amenhetep married Tushratta's daughter Tatumkhipa is not known, but that he received many gifts with her from her father is certain, for a tablet at Berlin (No. 296) contains a long list of her wedding gifts from her father. In marrying princesses of Mitanni Amenhetep followed the example of his father, Thothmes IV, whose wife, whom the Egyptians called Mutemuaa, was a native of that country. It follows as a matter of course that the influence of these foreign princesses on the King must have been very considerable at the Theban Court, and they and the high officials and ladies who came to Egypt with them would undoubtedly prefer the cult of their native gods to that of Amen of Thebes. Ti's son, Amenhetep IV, and his sisters would soon learn their religious views, and the prince's hatred of Amen and of his arrogant priesthood probably dates from the time when he came in contact with the princesses of Mitanni, and learned to know Mithras, Indra, Varuna and other Aryan gods, whose cults in many respects resembled those of Horus, Ra, Tem and other Egyptian solar gods.

During the early years of his reign Amenhetep spent a great deal of his time in hunting, and to commemorate his exploits in the desert he caused two groups of large scarabs to be made. On the bases of these were cut details of his hunts and the numbers of the beasts he slew. One group of them, the "Hunt Scarabs," tells us that a message came to him saying that a herd of wild cattle had been sighted in Lower Egypt. Without delay he set off in a boat, and having sailed all night arrived in the morning near the place where they were. All the people turned out and made an enclosure with stakes and ropes, and then, in true African fashion, surrounded the herd and with cries and shouts drove the terrified beasts into it. On the occasion which the scarabs commemorate 170 wild cattle were forced into the enclosure, and then the King in his chariot drove in among them and killed 56 of them. A few days later he slew 20 more. This battle took place in the second year of Amenhetep's reign.

The other group of "Hunt Scarabs" was made in the tenth year of his reign, and after enumerating the names and titles of Amenhetep and his wife Ti, the inscription states that from the first to the tenth year of his reign he shot with his own hand 102 fierce lions. No other King of Egypt used the scarab as a vehicle for advertising his personal exploits and private affairs. That Amenhetep had some reason for so doing seems clear, but unless it was to secularize the sacred symbol of Khepera, or to cast good-natured ridicule on some phase of native Egyptian belief which he thought lightly of, this use of the scarab seems inexplicable.

The reign of Amenhetep III stands alone in Egyptian History. When he ascended the throne he found himself absolute lord of Syria, Phoenicia, Egypt and the Egyptian Sudan as far south as Napata. His great ancestor Thothmes III had conquered the world, as known to the Egyptians, for him. Save in the "war" which he waged in Nubia in the fifth year of his reign he never needed to strike a blow to keep what Thothmes III had won. And this "war" was relatively an unimportant affair. It was provoked by the revolt of a few tribes who lived near the foot of the Second Cataract, and according to the evidence of the sandstone stele, which was set up by Amenhetep to commemorate his victory, he only took 740 prisoners and killed 312 rebels. In the Sudan he made a royal progress through the country, and the princes and nobles not only acclaimed him as their over-lord but worshipped him as their god. And year by year, under the direction of the Egyptian Viceroy of Kash, they dispatched to him in Thebes untold quantities of gold, precious stones, valuable woods, skins of beasts, and slaves. When he visited Phœnicia, Syria, and the countries round about he was welcomed and acknowledged by the shekhs and their tribes as their king, and they paid their tribute unhesitatingly. The great independent chiefs of Babylonia, Assyria, and Mitanni vied with each other in seeking his friendship, and probably the happiest times of his pleasure-loving life were the periods which he spent among his Mesopotamian friends and allies. His joy in hunting the lion in the desert south of Sinjar and in the thickets by the river Khabur can be easily imagined, and his love for the chase would gain him many friends among the shekhs of Mesopotamia. His visits to Western Asia stimulated trade, for caravans could travel to and from Egypt without let or hindrance, and in those days merchants and traders from the islands and coasts of the Mediterranean flocked to Egypt, where gold was as dust for abundance.

Amenhetep devoted a large portion of the wealth which he had inherited, and the revenues which he received annually from tributary peoples, to enlarging and beautifying the temples of Thebes. He had large ideas, and loved great and splendid effects, and he spared neither labour nor expense in creating them. He employed the greatest architects and engineers and the best workmen, and he gave them a "free hand," much as Hatshepsut did to her architect Senmut. On the east bank he made great additions to the temple of Karnak, and built an avenue from the river to the temple, and set up obelisks and statues of himself. He completed the temple of Mut and made a sacred lake on which religious processions in boats might take place. He joined the temples of Karnak and Luxor by an avenue of kriosphinxes, each holding a figure of himself between the paws, and at Luxor he built the famous colonnade, which is to this day one of the finest objects of its kind in Egypt. On the west bank he built a magnificent funerary temple, and before its pylon he set up a pair of obelisks and the two colossal statues of himself which are now known as the "Colossi of Memnon." A road led from the river to the temple, and each side of it was lined with stone figures of jackals. He also built on the Island of Elephantine a temple in honour of Khnemu, the great god of the First Cataract, and, as already said, he rebuilt and added largely to the temple which had been founded by Amenhetep III at Sulb. All these temples were provided with metal-plated doors, parts of which seem to have been decorated with rich inlays, and colour was used freely in the scheme of decoration. The means at the king's disposal enabled him to employ unlimited labour, and most of his subjects must have gained their livelihood by working for Amen and the king. Under such patrons as these the Arts and Crafts flourished, and artificers in stone, wood, brass, and faïence produced works the like of which had never before been seen in Egypt. Throughout his reign Amenhetep corresponded with his friends in Babylonia, Mitanni, and Syria, and the arrival and departure of the royal envoys gave opportunity for dispensing lavish hospitality, and for the display of wealth and all that it produces. The receptions in his beautifully decorated palace on the west bank of the river must have been splendid functions, such as the Oriental loves. The king spent his wealth royally; and in many ways, probably as a result of the Mitannian blood which flowed in his veins, his character was more that of a rich, luxury-loving, easygoing and benevolently despotic Mesopotamian Shekh than that of a king of Egypt. Very aptly has Hall styled him "Amenhetep the Magnificent." He died after a reign of about thirty-six years, and was buried in his tomb in the Western Valley at Thebes. On the walls of the chambers there are scenes representing the king worshipping the gods of the Underworld, and on the ceiling are some very interesting astronomical paintings. The tomb was unfinished when the king was buried in it. It was pillaged by the professional robbers of tombs, and the Government of the day removed his mummy to the tomb of Amenhetep II, where it was found by Loret in 1899. Thus whatever views Amenhetep III may have held about Aten, he was buried in Western Thebes, with all the pomp and ceremony befitting an orthodox Pharaoh.

Friday, July 28, 2017

Lecture Egyptian Sun-God Worship Part 1



Chapter IX - Rā, The Sun-god, And His Forms


Rā is the name which was given by the Egyptians of the dynastic period to the god of the sun, who was regarded as the maker and creator of everything which we see in the visible world around us, and of the gods in heaven, as well as of heaven itself, and of the Ṭuat or underworld and the beings therein ; the original meaning of his name is unknown, but at one period of Egyptian history it seems to have been thought that the word rā indicated “operative and creative power,” and that as a proper name it represented in meaning something like “Creator,” this epithet being used much in the same way and with the same idea as we use the term when applied to God Almighty, the Creator of heaven and earth and of all things therein.

The worship of the sun in Egypt is extremely ancient and appears to have been universal; at a very early period adoration of him was associated with that of the hawk-god Ḥeru, who was the personification of the “height” of heaven, and who appears to have been a type and symbol of the sun. The worship of the hawk-god Ḥeru, , is the oldest in Egypt, and, strictly speaking, he should have been discussed before Rā, but as Rā and the personifications of his various forms are the greatest of the gods of the Egyptians, he must be regarded as the true “father of the gods,” and his attributes, and the myths which grew up round him must be considered before those of Horus.


The god Rā is usually depicted with the body of a man and the head of a hawk, but sometimes he is represented in the form of a hawk ; on his head he wears his symbol, Gods1 2781, i.e., the disk of the sun encircled by the serpent khut, Gods1 2782, of which mention has already been made. When he has a human body he holds the emblem of life, Gods1 2783, in his right hand, and a sceptre, Gods1 2784, in his left, and from the belt of his tunic hangs down the tail, which is a survival of the dress of men in predynastic times, and probably later.
Viewed from a practical point of view Rā was the oldest of all the gods of Egypt, and the first act of creation was the appearance of his disk above the waters of the world-ocean ; with his first rising time began, but no attempt was ever made to say when, i.e., how long ago, his first rising took place. When the Egyptians said that a certain thing had been in existence “since the time of Rā” it was equivalent to saying that it had existed for ever.

Boats of the Sun

The Egyptians, knowing that the sun was a fire, found a difficulty in assuming that it rose directly into the sky from out of the watery mass wherein it was brought forth, and they, therefore, assumed that it must make its journey over the waters in a boat, or boats, and as a matter of fact they believed that it passed over the first half of its course in one boat, and over the second half in another.
The morning boat of the sun was called Māṭet, Gods1 2785, i.e., “becoming strong” and the name of the evening boat was Semktet, Gods1 2786, i.e., “becoming weak”; these are appropriate names for the rising and the setting sun. The course which Rā followed in his journey across the sky was thought to have been defined at creation by the goddess called Maāt, who was the personification of the conceptions of rectitude, straightness, law, order, unfailing regularity, and the like, and there is no doubt that it was the regular and unfailing appearance of the sun each morning, as much as its light and heat, which struck wonder into primitive man, and made him worship the sun.
In passing through the Ṭuat, or underworld, at night Rā was supposed to be obliged to leave his boat at certain places, and to make use of others, including even one which was formed by the body of a serpent; according to one opinion he changed his boat every hour during the day and night, but the oldest belief of all assigned to him two boats only.
Rā was accompanied on his journey by a number of gods, whose duties consisted in navigating the boat, and in helping it to make a successful passage from the eastern part of the sky to the place where the god entered the Ṭuat; the course was set by Thoth and his female counterpart Maāt, and these stood one on each side of Horus, who acted as the steersman and apparently as captain also. Before the boatof Rā, one on each side, swam the two pilot fishes called Ȧbṭu, Gods1 2787, and Ȧnt, Gods1 2788, respectively. But, judging from the religious and mythological texts which have come down to us, not all the power of Rā himself, nor that of the gods who were with him, could ward off the attacks of certain fiends and monsters which endeavoured to obstruct the passage of his boat.

Mythological Fish

Chief among such were the serpent Āpep, Gods1 2789, and Sebȧu, Gods1 2790, and Nȧk, Gods1 2791, and of these the greatest and most wicked was Āpep. In dynastic times Āpep was a personification of the darkness of the darkest hour of the night, against which Rā must not only fight, but fight successfully before he could rise in the east in the morning ; but originally he was the thick darkness which enveloped the watery abyss of Nu, and which formed such a serious obstacle to the sun when he was making his way out of the inert mass from which he proceeded to rise the first time. In the Book of the Dead he is frequently mentioned, but rather from a moral than a physical point of view.
Thus in the xxxixth Chapter the deceased says:
“Get thee back, Fiend, before the darts of his beams. Rā hath overthrown thy words, the gods have turned thy face backwards, the Lynx (Mafṭet, Gods1 2792), hath torn open thy breast, the Scorpion goddess, Gods1 2793, hath cast fetters upon thee, and Maāt hath sent forth thy destruction. Those who are in the ways have overthrown thee; fall down and depart, O Āpep, thou Enemy of Rā.”
A little further on the deceased says:
“I have brought fetters to thee, O Rā, and Āpep hath fallen because thou hast drawn them tight. The gods of the South, and of the North, of the West and of the East have fastened chains upon him, and they have fastened him with fetters; the god Rekes (Gods1 2794) hath overthrown him, and the god Ḥertit (Gods1 2795) hath put him in chains. O Āpep, thou Enemy of Rā, thou shalt never partake of the delights of love, thou shalt never fulfil thy desire ! He maketh thee to go back, O thou who art hateful to Rā ; he looketh upon thee, get thee back. He pierceth thy head, he slitteth up thy face, he divideth thy head where its bones join and it is crushed in thy land, thy bones are smashed in pieces, thy members are hacked off thee, and the god Aker (Gods1 2796) hath passed sentence of doom upon thee.”

Rā and Āpep

From the “Books of Overthrowing Āpep,” we obtain further information as to the destruction of the monster, and we find, that this work was recited daily in the temple of Ȧmen-Rā at Thebes.
The first Book was divided into Chapters, which were entitled:—
  1. Chapter of spitting upon Āpep.
  2. Chapter of defiling Āpep with the left foot.
  3. Chapter of taking a lance to smite Āpep.
  4. Chapter of fettering Āpep.
  5. Chapter of taking a knife to smite Āpep.
  6. Chapter of putting fire upon Āpep.
The following Books describe with great minuteness the details of the destruction which was to fall upon Āpep, and they are insisted on to a wearisome degree ; according to these the monster, which is referred to at one time as a crocodile and at another as a serpent, is first to be speared, then gashed with knives, and every bone of his body having been separated by red-hot knives, and his head, and legs, and tail, etc., having been cut off, his remains were to be scorched, and singed, and roasted, and finally shrivelled up and consumed by fire.
The same fate was to come upon Āpep’s confederates, and everything which formed parts of him and of them, i.e., their shadows, souls, doubles, and spirits, were to be wiped out of existence, including any offspring which they might possess.

Names of Āpep

Not content with reciting the words of power which would have the effect of destroying Āpep and his fiends, great care was taken to perform various ceremonies of a magical character, which were supposed to benefit not only Rā, but those who worshipped him on earth. Āpep was both crafty and evil-doing, and like Rā, lie possessed many names ; to destroy him it was necessary to curse him by each and every name by which he was known.
To make quite sure that this should be done effectively the Papyrus of Nesi-Ȧmsu adds a list of such names, and as they are the foundation of many of the magical names met with in later papyri they are here enumerated:—
  1. Neshṭ. Gods1 2800
  2. Ṭuṭu. Gods1 2797
  3. Ḥau-ḥrȧ. Gods1 2798
  4. Hemhemti. Gods1 2799Gods1 2804
  5. Qeṭṭtu. Gods1 2802
  6. Qerneru. Gods1 2801
  7. Iubani. Gods1 2803
  8. Āmam. Gods1 2807
  9. Ḥem-taiu. Gods1 2808
  10. Sȧaṭet-ta. Gods1 2805
  11. Khermuti. Gods1 2806Gods1 2812
  12. Kenememti. Gods1 2811
  13. Sheta. Gods1 2810
  14. Serem-taui. Gods1 2809Gods1 2815
  15. Sekhem-ḥrȧ. Gods1 2816
  16. Unti. Gods1 2814
  17. Karȧu-ȧnementi. Gods1 2813Gods1 2819
  18. Khesef-ḥrȧ. Gods1 2818
  19. Seba-ent-seba. Gods1 2817
  20. Khak-ȧb. Gods1 2822
  21. Khan-ru .... uāa. Gods1 2821
  22. Nāi. Gods1 2820
  23. Ām. Gods1 2825
  24. Turrupa (?) Gods1 2824
  25. Iubau. Gods1 2823
  26. Uai. Gods1 2828
  27. Kharubu, the four times wicked. Gods1 2827
  28. Sau. Gods1 2826
  29. Beṭeshu. Gods1 2829

Rā and Āpep

In the Egyptian texts we have at present no account of the first fight which took place between Rā and Āpep, but it is clear from several passages in the “Books of Overthrowing Āpep” that such a thing must have occurred, and that the means employed by the Sun-god for destroying his foe resembled those made use of by Marduk in slaying Tiamat. The original of the Assyrian story is undoubtedly of Sumerian origin, and must be very old, and it is probable that both the Egyptians and the Sumerians derived their versions from a common source.
In the Assyrian version Marduk is armed with the invincible club which the gods gave him, and with a bow, spear, net, and dagger ; the lightning was before him, and fierce fire filled his body, and the four-fold wind and the seven-fold wind went with him. Marduk grasped the thunderbolt and then mounted his chariot, drawn by four swift and fiery horses which had been trained to beat down under their feet everything which came in their way. When he came to the place where Tiamat was, Kingu, whom she had set over her forces, trembled and was afraid, but Tiamat “stood firm with unbent neck.”
After an exchange of words of abuse the fight began, and Tiamat pronounced her spell, which, however, had no effect, for Marduk caught her in his net, and drove the winds which he had with him into her body, and whilst her belly was thus distended he thrust his spear into her, and stabbed her to the heart, and cut through her bowels, and crushed her skull with his club. On her body he took his stand, and with his knife he split it “like a flat fish into two halves,” and of one of these he made a covering for the heavens. With the exception of the last, every detail of the Assyrian account of the fight has its equivalent in the Egyptian texts which concern Rā and Āpepi.
An allusion to the fight is found in the apocryphal work of “Bel and the Dragon,” wherein we are told that both the god and the monster were worshipped in Babylon ; but the narrative says that the dragon was destroyed by means of lumps of pitch, and fat, and hair seethed together, and that these having been pushed into the creature’s mouth he burst asunder. In Egyptian papyri Āpep is always represented in the form of a serpent, in each undulation of which a knife is stuck,  Gods1 2830; in the “Book of the Gates” (see above p. 197) we see him fastened by the neck with a chain (along which is stretched the scorpion goddess Serqet), the end of which is in the hands of a god, and also chained to the ground by five chains.
It has already been said that Rā was the “father of the gods,” and we find that as early as the Vth Dynasty a female counterpart, who was the mother of the gods, was assigned to him. This goddess is called in the text of Unȧs (1. 253) Rāt, Gods1 2831, and in later times her title appears to have been “Rāt of the two lands, the lady of heaven, mistress of the gods,” Gods1 2832; she is also called “Mistress of Heliopolis.” Her full name was, perhaps, Rāt-taiut, Gods1 2833, i.e., “Rāt of the world.” She is depicted in the form of a woman who wears on her head a disk with horns and a uraeus, and sometimes there are two feathers above the disk; the attributes of the goddess are unknown, but it is not likely that she was considered to be more important than any other great goddess.

The City of the Sun

The home and centre of the worship of Rā in Egypt during dynastic times was the city called Ȧnnu, Gods1 2834, or An by the Egyptians, On by the Hebrews, and Heliopolis by the Greeks ; its site is marked by the village of Maṭarîyeh, which lies about five miles to the north-east of Cairo. It was generally known as Ȧnnu meḥt, i.e., Annu of the North, to distinguish it from Ȧnnu Qemāu, i.e., “Annu of the South,” or Hermonthis. Among the early Christians great store was set upon the oil made from the trees which grew there, and in the famous “Fountain of the Sun” the Virgin Mary is said to have washed the garments of her Son ; the ancient Egyptians also believed that Rā bathed each day at sunrise in a certain lake or pool which was in the neighbourhood.
Of the origin and beginnings of the worship of Rā at Heliopolis we know nothing, but it is quite certain that under the Vth Dynasty, about ii.c. 3350, the priests of Rā had settled themselves there, and that they had obtained great power at that remote period. The evidence derived from the Westcar Papyrus indicates that User-ka-f, the first king of the Vth Dynasty, was the high-priest of Rā, and that he was the first to add “son of the Sun” to the titles of Egyptian monarchs.
Up to that time a king seems to have possessed :—
  1. A name as the descendant or servant of Horus.
  2. A name as the descendant or servant of Set.
  3. A name as lord of the shrines of Nekhebet and Uatchit, Gods1 2835.
  4. A name as king of the North and South, Gods1 2836.
User-ka-f, however, introduced the title of “son of the Sun,” Gods1 2837, which was always followed by a second cartouche, and it was adopted by every succeeding king of Egypt. According to the Westcar Papyrus User-ka-f and his two immediate successors Sahu-Rā and Kakaȧ were the sons of the god Rā by Ruṭ-ṭeṭeṭ, the wife of a priest of the god Rā of Sakhabu, Gods1 2838; these were brought into the world by the
goddesses Isis, Nephthys, Meskhenet, and Ḥeqet, and by the god Khnemu, and it was decreed by them that the three boys should be sovereigns of Egypt.

Rā Worship

This legend is of importance, not only as showing the order of the succession of the first three kings of the Vth Dynasty, but also because it proves that in the early Empire the kings of Egypt believed themselves to be the sons of Rā, the Sun-god. All chronological tradition affirms that Rā had once ruled over Egypt, and it is a remarkable fact that every possessor of the throne of Egypt was proved by some means or other to have the blood of Rā flowing in his veins, or to hold it because he was connected with Rā by marriage.
The bas-reliefs of Queen Ḥātshepset at Dêr al-Baḥarî, and those of Ȧmen-ḥetep III. at Luxor, and those of Cleopatra VII. in the temple at Erment (now destroyed, alas!) describe the process by which Rā or Ȧmen-Rā became the father of the kings and queens of Egypt. From these we see that whenever the divine blood needed replenishing the god took upon himself the form of the reigning king of Egypt, and that he visited the queen in her chamber and became the actual father of the child who was subsequently born to her.
When the child was born it was regarded as a god incarnate, and in due course was presented, with appropriate ceremonies, to Rā or Ȧmen-Rā, in his temple, and this god accepted it and acknowledged it to be his child. This clever priestly device gave the priests of Rā great power in the land, but their theocratic rule was not always the best for Egypt, and on one occasion they brought about the downfall of a dynasty. The first rise to power of the priests of Rā took place at the beginning of the Vth Dynasty, when the cult of Rā became dominant in the land. About the time of Userkaf we find that a number of shrines, which united the chief characteristics of the low rectangular tomb commonly known by its Arabic name of
masṭaba, i.e., “bench,” and of the pyramid,Gods1 2839, were built in honour of the god; but, according to Prof. Sethe, the custom of building such only lasted for about one hundred years, i.e., from the reign of Userkaf to that of Men-kau-Ḥeru. Be this as it may, the priesthood of Heliopolis succeeded in making their worship of Rā to supersede generally that of almost every other god of Egypt, and in absorbing all the local gods of importance throughout the country into their theological system, wherein they gave them positions subordinate to those of Rā and his company of gods.

Rā and Rā-tem

Originally the local god of the city was Tem, who was worshipped there in a special temple, but they united his attributes to those of Rā and formed the double god Rā-Tem,Gods1 2840(Unȧs, 1. 222). With the close of the VIth Dynasty the power of the priests of Rā declined, and it was not until the reign of Usertsen I., about B.C. 2433, that the sanctuary at Heliopolis was rebuilt, or perhaps entirely refounded. This king dedicated the temple which he built there to Rā and to two forms of this god, Horus and Temu, who were supposed to be incarnate in the famous Bull of Mnevis, which was worshipped at Heliopolis as Apis was worshipped at Memphis.
In front of the temple he set up two massive granite obelisks, each 66 feet high, the pyramidions of which were covered with copper ; these were still in situ about A.D. 1200. Between the XIIth and the XXth Dynasties we hear little of Heliopolis, but a further restoration of the temple buildings took place under Rameses III., who set apart large revenues for the maintenance of the worship of Rā and the dignity of his priests and servants.
When Piānkhi invaded Egypt, about B.C. 750, he visited Heliopolis after the capture of Memphis, going by way of the mountain of Kher-āḥa, Gods1 2841, and he performed certain ceremonial ablutions in the “Lake of cold water,” Gods1 2842, and washed his face in the “milk of Nu wherein Rā was wont to wash his face;” this “Lake” is clearly the fountain of the sun which we have already mentioned.

Heliopolis

At a place called Shāi-qa-em-Ȧnnu he
“made great offerings at Shā-qa-em-Ȧmen to Rā at sunrise, viz., white oxen, milk, ānti unguent, incense, and sweet-smelling woods, and then he passed into the temple of Rā, which he entered bowing low in adoration to the god. The chief kher ḥeb priest, Gods1 2843, offered up prayer on behalf of the king, that he might be able to repulse his enemies, and then having performed the ceremony connected with the ‘Star-room,’ Gods1 2844, he took the seṭeb girdle, and purified himself with incense, and poured out a libation, when one brought to him the flowers which are offered up in the Ḥet-Benbenet, Gods1 2845. He took the flowers and went up the steps [leading to] the ‘great tabernacle,’ Gods1 2846, to see Rā in Ḥet-Benbenet. He stood [on the top] there by himself, he pushed back the bolt, he opened the doors [of the tabernacle], and he saw his father Rā in Ḥet-Benbenet. He made adoration to the Māṭet Boat of Rā (i.e., the boat of the  rising sun), and to the Sektet boat of Tem (i.e., the boat of the setting sun).
He then drew close the doors again, and having affixed thereto the clay for a seal he stamped it with the seal of the king himself. He then admonished the priests [saying],
‘I have set [my] seal here, let no other king enter herein [or] stand here.’
And they cast themselves on their bellies before his majesty, saying,
‘May Horus who loveth Ȧnnu (Heliopolis) be firm and stable, and may he never come to an end.’
And the king went into the Temple of Tem, and he performed all the ceremonies and service connected with the worship of father Tem-Kheperȧ, Gods1 2851, the prince of Ȧnnu.”
From the above it is certain that the sacred boats of Rā were kept in a sort of wooden tabernacle with two doors, Gods1 2852, that could be fastened by a bolt, and from what we know from pictures of these boats it is equally certain that the Māṭet boat contained a hawk-headed figure of Rā, and that the Sektet boat contained a man-headed figure of Rā. The text says that the tabernacle, Gods1 2853, was situated on the top of a flight of steps, and this is what we should expect, for we know that the support was intended to represent the high ground in or near the city of Khemennu, Gods1 2854(Hermopolis), whereon Rā established himself on the day when he proceeded from the watery abyss of Nu, before the pillars of Shu were set up.
In the Book of the Dead this high ground is called “Qaqa in Khemennu,” Gods1 2855Gods1 2856. During the period of the Persian invasion the prosperity of the priesthood of Heliopolis declined, and it is said that later, during the reign of Ptolemy II. (b.c. 285-247) many of its members found an asylum at Alexandria, where their reputation for learning caused them to be welcomed.
A tradition says Solon, Thales, and Plato all visited the great college at Heliopolis, and that the last-named actually studied there, and that Manetho, the priest of Sebennytus, who wrote a history of Egypt in Greek for Ptolemy II., collected his materials in the library of the priesthood of Rā. Some time, however, before the Christian era, the temple buildings were in ruins, and the glory of Heliopolis had departed, and it was frequented only by those who went there to carry away stone or anything else which would be useful in building or farming operations.

Cult of Heliopolis

We have now to consider briefly what was the nature of the doctrine which was the distinguishing characteristic of the teaching of the priests of Heliopolis. In the first place it proclaimed the absolute sovereignty of Rā among the gods, and it made him the head of every company of the gods, but it did not deny divinity to the older deities of the country.
The chief authorities for the Heliopolitan doctrine are the Pyramid Texts, to which allusion has so often been made, and from these we see that the priests of Rā displayed great ingenuity and tact in absorbing into their form of religion all the older cults of Egypt, together with their magical rites and ceremonies. Apparently they did not attempt to abolish the old, indigenous gods; on the contrary, they allowed their cults to be continued, provided that the local priesthoods would make their gods subordinate to Rā. Thus Osiris and Isis, and their companion gods, were absorbed into the great company of the gods of Heliopolis, and the theological system of the priests of Osiris was mixed with that of the priests of Rā.
Nothing is known of the origin of Osiris worship, but the god himself and the ceremonies which accompanied the celebration of his festivals suggest that he was known to the predynastic dwellers in Egypt. The belief in the efficacy of worship of the Man-god, who rose from the dead, and established himself in the underworld as judge and king, was indelibly impressed on the minds of the Egyptians at a very early period, and although the idea of a heaven of material delights which was promised to the followers of Osiris did not, probably, commend itself in all particulars to the imaginations of the refined and cultured folk of Egypt, it was tacitly accepted as true and was regarded as a portion of their religious inheritance by the majority of the people.
On the other hand, the priests of Rā declared that the souls of the blessed made their way after death to the boat of Rā, and that if they succeeded in alighting upon it their eternal happiness was assured. No fiends could vex and no foes assail them successfully, so long as they had their seat in the “Boat of Millions of Years;” they lived upon the food on which the gods lived, and that food was light.
They were apparelled in light, and they were embraced by the god of light. They passed with Rā in his boat through all the dangers  of the Ṭuat, and when the god rose each morning they were free to wander about in heaven or to visit their old familiar habitations on earth, always however taking care to resume their places in the boat before nightfall, at which time evil spirits had great power to injure, and perhaps even to slay, the souls of those who had failed to arrive safely in the boat.
But although the priests of Rā under the Early Empire, and the priests of Ȧmen-Rā under the Middle and New Empires, were supported by all the power and authority of the greatest kings and queens who ever sat upon the throne of Egypt, in their proclamation of a heaven, which was of a far more spiritual character than that of Osiris, they never succeeded in obliterating the belief in Osiris from the minds of the great bulk of the population in Egypt. The material side of the Egyptian character refused to be weaned from the idea of a Field of Peace, which was situated near the Field of Reeds and the Field of the Grasshoppers, where wheat and barley grew in abundance, and where a man would possess a vine, and fig trees, and date palms, and be waited upon by his father and his mother, and where he would enjoy an existence more comfortable than that which he led upon this earth.
The doctrine of a realm of light, where the meat, and drink, and raiment were light, and the idea of becoming a being of light, and of passing eternity among creatures of light did not satisfy him. The result of all this was to create a perpetual contest between the two great priesthoods of Egypt, namely, those of Rā and Osiris ; in the end the doctrine of Osiris prevailed, and the attributes of the Sun-god were ascribed to him. In considering the struggle which went on between the followers of Rā and Osiris it is difficult not to think that there was some strong reason for the resistance which the priests of Rā met with from the Egyptians generally, and it seems as if the doctrine of Rā contained something which was entirely foreign to the ideas of the people.
The city of Heliopolis appears always to have contained a mixed population, and its situation made it a very convenient halting-place for travellers passing from Arabia and Syria into Egypt and vice versâ; it is, then, most probable that the doctrine of Rā as taught by the priests of Heliopolis was a mixture of Egyptian and Western Asiatic doctrines, and that it was the Asiatic element in it which the Egyptians resisted. It could not have been sun-worship which they disliked, for they had been sun-worshippers from time immemorial.

Tem of Heliopolis

Tem, or Temu, Gods1 2963 or Ȧtem, Gods1 2964.
Tem, or Temu, or Ȧtem, was originally the local god of the city of Ȧnnu, or Heliopolis, and in the dynastic period at all events he was held to be one of the forms of the great Sun-god Rā, and to be the personification of the setting sun. In the predynastic period, however, he was, as M. Lefébure has pointed out, the first man among the Egyptians who was believed to have become divine, and who was at his death identified with the setting sun; in other words, Tem was the first living man-god known to the Egyptians, just as Osiris was the first dead man-god, and as such was always represented in human form and with a human head.
It is important to note this fact, for it indicates that those who formulated the existence of this god were on a higher level of civilization than those who depicted the oldest of all Egyptian gods, Horus, in the form of a hawk, or in that of a hawk-headed human body. In the papyri and on the monuments he usually wearsGods1 2965, the crowns of the South and North, upon his head, and he holdsGods1 2966, the emblem of life, in his right hand, and the sceptre, (PLAATJE), in his left. In the boat of Rā he is depicted in human form even when Rā is symbolized by a disk which is being rolled along by a beetle, and the god Kheperȧ is represented by a beetle, and the rising sun Ḥeru-Khuti is shown under the form of a hawk’s head, from which fall rays of light.

Rā-tem of Heliopolis

Tem was, in fact, to the Egyptians a manifestation of God in human form, and his conception in their minds marks the end of the period wherein they assigned animal forms to their gods, and the beginning of that in which they evolved the idea of God, almighty, inscrutable, unknowable, the maker and creator of the universe. It is useless to attempt to assign a date to the period when the Egyptians began to worship God in human form, for we have no material for doing so ; the worship of Tem must, however, be of very great antiquity, and the fact that the priests of Rā in the Vth and VIth Dynasties united him to their god under the name of Rā-Tem,Gods1 2967, proves that his worship was wide-spread, and that the god was thought to possess attributes similar to those of Rā.
The Pyramid Texts show that the attributes of Temu were confounded with those of Rā, and that the protection and favour of this god were all essential for the well-being of the deceased in the Underworld ; indeed, it is Tem the father who stretches out his hand to Pepi I. and sets him at the head of the gods, where he judges the great and the wise. This passage shows that Tem was regarded as the father of the human race, and as he was also divine his powers to help the dead were very great.
In many respects he was held to be the equal of Rā, and the prayers and hymns which were addressed to him frequently show that the Egyptians were very anxious to propitiate him. This is not difficult to understand if we remember the dogmas of the Heliopolitan priesthood about the means by which the souls of the blessed departed from this world.
They taught that souls when they left this world went to the region which lay between the earth and the beginning of the Valley of the Ṭuat, and which was called Ȧmentet, and that they waited there until the Boat of the Setting Sun, i.e., the boat of Rā in his form of Temu, made his appearance there ; as soon as it arrived the souls flocked to it, and those who had served Rā upon earth and whose bodies had been buried with the orthodox rites, and ceremonies, and prayers of the priesthood of Rā, and were, therefore, provided with the necessary words of power, were admitted to the boat of Tem, where they enjoyed the protection and favour of the god in his various forms to all eternity.
There was, moreover, another aspect of Tem which gave the god a position of peculiar importance in the minds of the Egyptians, i.e., he was identified not only with the god of the dead, Osiris, but also with the young Horus, the new and rising sun of the morrow. All these ideas are well expressed in a hymn to Tem which is found in the Papyrus of Mut-ḥetep (Brit. Mus., No. 10,010, sheet 5), and which was composed to enable every spirit who recited it to “come forth by day” and in any form he pleased and to have great power in the Ṭuat.
The lady Mut-ḥetep says,
“O Rā-Tem, in thy splendid progress thou risest, and thou settest as a living being in the glories of the western horizon; thou settest in thy territory which is in the Mount of Sunset (Manu,Gods1 2969). Thy uraeus is behind thee, thy uraeus is behind thee. Homage to thee, O thou who art in peace ; homage to thee, O thou who art in peace. Thou art joined unto the Eye of Tem, and it chooseth its powers of protection [to place] behind thy members.
Thou goest forth through heaven, thou travellest over the earth, and thou jonrneyest onward. O Luminary, the northern and southern halves of heaven come to thee, and they bow low in adoration, and they do homage unto thee, day by day. The gods of Ȧmentet rejoice in thy beauties, and the unseen places sing hymns of praise unto thee.
Those who dwell in the Sektet boat go round about thee, and the Souls of the East do homage to thee, and when they meet thy Majesty they cry: ‘Come, come in peace!’ There is a shout of welcome to thee, O lord of heaven and governor of Ȧmentet! Thou art acknowledged by Isis who seeth her son in thee, the lord of fear, the mighty one of terror.
Thou settest as a living being in the hidden place. Thy father [Ta-]tunen raiseth thee up and he placeth both his hands behind thee; thou becomest endowed with divine attributes in [thy] members of earth; thou wakest in peace and thou settest in Manu. Grant thou that I may become a being honoured before Osiris, and that I may come to thee, O Rā-Tem ! I have adored thee, therefore do thou for me that which I wish. Grant thou that I may be victorious in the presence of the company of the gods.
Thou art beautiful, O Rā, in thy western horizon of Ámentet, thou lord of Maāt, thou being who art greatly feared, and whose attributes are majestic, O thou who art greatly beloved by those who dwell in the Ṭuat! Thou shinest with thy beams upon the beings that are therein perpetually, and thou sendest forth thy light upon the path of Re-stau.
Thou openest up the path of the double Lion-god, thou settest the gods upon [their] thrones, and the spirits in their abiding-places. The heart of Naȧrerf (i.e., Ȧn-ruṭ-f, a region of the Underworld) is glad [when] Rā setteth ; the heart of Naȧrerf is glad when Rā setteth.
Hail, O ye gods of the land of Ȧmentet who make offerings and oblations unto Rā-Tem, ascribe ye glory [unto him when] ye meet him. Grasp ye your weapons and overthrow ye the fiend Sebȧ on behalf of Rā, and repulse the fiend Nebṭ on behalf of Osiris.
The gods of the land of Ȧmentet rejoice and lay hold upon the cords of the Sektet boat, and they come in peace; the gods of the hidden place who dwell in Ȧmentet triumph.”
In the opening words of another hymn Tem is addressed as
“Rā, who in thy setting art Tem-Ḥeru-khuti (Tem-Harmachis), thou divine god, thou self-created being, thou primeval matter,”
from which we see that the attributes of selfcreation, etc., which, strictly speaking, belonged to Kheperȧ, were ascribed to Tem.