THE EARLIEST EGYPTIAN CONCEPTION OF THE OTHER WORLD.

Having briefly referred to the origin and development of the magical, religious, and purely funeral texts which, sometimes with and sometimes without illustrations, formed the "Guides" to the Ancient Egyptian Underworld, the form of the conceptions concerning the place of departed spirits as it appears in the Recessions of the XVIIIth and XIXth Dynasties must now be considered. 

To reconstruct the form which they took in the Pre-dynastic Period is impossible, for no materials exist, and the documents of the Early Empire are concerned chiefly with providing the deceased with an abundance of meat, drink, and other material comforts, and numbers of wives and concubines, and a place in Sekhet-Aaru, a division of Sekhet-hetepet, to which the name "Elysian Fields" has not inaptly been given. In later times Sekhet-Aaru, or Sekhet-Aanru, comprised all Sekhet-hetepet. 

Of Sekhet-hetepet as a whole the earliest known pictures are those which are painted on the coffins of Al-Barsha, and of no portion of this region have we any detailed illustrations of the occupations of its inhabitants older than the XVIIIth Dynasty. To the consideration of Sekhet-Aaru, which was the true heaven of every faithful worshiper of Osiris, from the time when he became the judge and benevolent god and friend of the dead down to the, Ptolemaïc Period, that is to say, for a period of four thousand years at least, the scribes and artists of the XVIIIth Dynasty devoted much attention, and the results of their views are set forth in the copies of PER-EM-HRU, or the Theban Book of the Dead, which have come down to us.

In one of the oldest copies of PER-EM-HRU, i.e., in the Papyrus of Nu, is a vignette of the Seven Arits, or divisions of Sekhet-Aaru; the portion shown of each Arit is the door, or gate, which is guarded by a gatekeeper, by a watcher, who reports the arrival of every comer, and by a herald, who receives and announces his name. All these beings save two have the head of an animal, or bird, on a human body, a fact which indicates the great antiquity of the ideas that underlie this vignette. Their names are:--

Arit I. Gatekeeper. SEKHET-HRA-ASHT-ARU.
Watcher. SEMETU.
Herald. HU-KHERU.

Arit II. Gatekeeper. TUN-HAT.
Watcher. SEQET-HRA.
Herald. SABES.

Arit III. Gatekeeper. AM-HUAT-ENT-PEHUI-FI.
Watcher. RES-HRA.
Herald. UAAU.

Arit IV. Gatekeeper. KHESEF-HRA-ASHT-KHERU.
Watcher. RES-AB.
Herald. NETEKA-HRA-KHESEF-ATU.

Arit V. Gatekeeper. ANKH-EM-FENTU.
Watcher. ASHEBU.
Herald. TEB-HER-KEHAAT.

Arit VI. Gatekeeper. AKEN-TAU-K-HA-KHERU.
Watcher. AN-HRA.
Herald. METES-HRA-ARI-SHE.

Arit VII. Gatekeeper. METES-SEN.
Watcher. AAA-KHERU.
Herald. KHESEF-HRA-KHEMIU.

From another place in the same papyrus, and from other papyri, we learn that the "Secret Gates of the House of Osiris in Sekhet-Aaru" were twenty-one in number; the Chapter (CXLVI.) gives the name of each Gate, and also that of each Gatekeeper up to No. X., 

thus:--

I. Gate. NEBT-SETAU-QAT-SEBT-HERT-NEBT-KHEBKHEBT-SERT-METU-KHESEFET-NESHENIU-NEHEMET-UAI-EN-I-UAU.
Gatekeeper. NERI.

II. Gate. NEBT-PET-HENT-TAUI-NESBIT-NEBT-TEMEMU-TENT-BU-NEBU.
Gatekeeper. MES-PEH. (or, MES-PTAH).

III. Gate. NEBT-KHAUT-AAT-AABET-SENETCHEMET-NETER-NEB-AM-S-HRU-KHENT-ER-ABTU.
Gatekeeper. ERTAT-SEBANQA.

IV. Gate. SEKHEMET-TESU-HENT-TAUI-HETCHET-KHEFTI-NU-URT-AB-ARIT-SARU-SHUT-EM-AU.
Gatekeeper. NEKAU.

V. Gate. NEBT-REKHU-RESHT-TEBHET-TATU-AN-AQ-ERES-UN-TEP-F.
Gatekeeper. HENTI-REQU.

VI. Gate. NEBT-SENKET-AAT-HEMHEMET-AN-REKH-TU-QA-S-ER-USEKH-S-AN-QEMTU-QET-S-EM-SHAA-AU-HEFU-HER-S-AN-REKH-TENNU-MES-EN-THU-KHER-HAT-URTU-AB.
Gatekeeper. SMAMTI.

VII. Gate. AKKIT-HEBSET-BAK-AAKEBIT-MERT-SEHAP-KHAT.
Gatekeeper. AKENTI.

VIII. Gate. REKHET-BESU-AKHMET-TCHAFU-SEPT-PAU-KHAT-TET-SMAM-AN-NETCHNETCH-ATET-SESH-HER-S-EN-SENT-NAH-S.
Gatekeeper. KHU-TCHET-F.

IX. Gate. AMT-HAT-NEBT-USER-HERT-AB-MESTET-NEB-S-KHEMT-SHAA-. . . .-EM-SHEN-S-SATU-EM-UATCHET-QEMA-THESET-BES-HEBSET-BAK-FEQAT-NEB-S-RA-NEB.
Gatekeeper. TCHESEF.

X. Gate. QAT-KHERU-NEHESET-TENATU-SEBHET-ER-QA-EN-KHERU-S-NERT-NEBT-SHEFSHEFT-AN-TER-S-NETET-EM-KHENNU-S.
Gatekeeper. SEKHEN-UR.

XI. Gate. NEMT-TESU-UBTET-SEBAU-HENT-ENT-SEBKHET-NEBT-ARU-NES-AHEHI-HRU-EN-ANKHEKH.

XII. Gate. NAST-TAUI-SI-SEKSEKET-NEMMATU-EM-NEHEPU-QAHIT-NEBT-KHU-SETEMTH-KHERU-NEB-S.

XIII. Gate. STA-EN-ASAR-AAUI-F-HER-S-SEHETCHET-HAP-EM-AMENT-F.

XIV. Gate. NEBT-TENTEN-KHEBT-HER-TESHERU-ARU-NES-HAKER-HRU-EN-SETEMET-AU.

XV. Gate. BATI-TESHERU-QEMHUT-AARERT-PERT-EM-KERH-SENTCHERT-SEBA-HER-QABI-F-ERTAT-AAUI-S-EN-URTU-AB-EM-AT-F-ART-ITET-SHEM-S.

XVI. Gate. NERUTET-NEBT-AATET-KHAA-KHAU-EM-BA-EN-RETH-KHEBSU-MIT-EN-RETH-SERT-PER-QEMAMET-SHAT.

XVII. Gate. KHEBT-HER-SENF-AHBIT-NEBT-UAUIUAIT.

XVIII. Gate. MER-SETAU-AB-ABTU-MERER-S-SHAT-TEPU-AMKHIT-NEBT-AHA-UHSET-SEBAU-EM-MASHERU.

XIX. Gate. SERT-NEHEPU-EM-AHA-S-URSH-SHEMMET-NEBT-USERU-ANU-EN-TEHUTI-TCHESEF.

XX. Gate. AMT-KHEN-TEPEH-NEB-S-HEBS-REN-S-AMENT-QEMAMU-S-THETET-HATI-EN-AM-S.

XXI. Gate. TEM-SIA-ER-METUU-ARI-HEMEN-HAI-NEBAU-S.

From the above lists, and from copies of them which are found in the Papyrus of Ani, and other finely illustrated Books of the Dead, it is quite clear that, according to one view, Sekhet-Aaru, the land of the blessed, was divided into seven sections, each of which was entered through a Gate having three attendants, and that, according to other traditions, it had sections varying in number from ten to twenty-one, for each of the Gates mentioned above must have been intended to protect a division. It will be noted that the names of the Ten Gates are in reality long sentences, which make sense and can be translated, but there is little doubt that under the XVIIIth Dynasty these sentences were used as purely magical formula, or words of power, which, provided the deceased knew how to pronounce them, there was no great need to understand. In other words, it was not any goodness or virtue of his own which would enable him to pass through the Gates of Sekhet-Aaru, and disarm the opposition of their warders, but the knowledge of certain formula, or words of power, and magical names. We are thus taken back to a very remote period by these ideas, and to a time when the conceptions as to the abode of the blessed were of a purely magical character; the addition of pictures to the formula, or names, belongs to a later period, when it was thought right to strengthen them by illustrations. The deceased, who not only possessed the secret name of a god or demon, but also a picture of him whereby he could easily recognize him when he met him, was doubly armed against danger.

In addition to the Seven Arits, and the Ten, Fourteen, or Twenty-one Gates (according to the manuscript authority followed), the Sekhet-Hetepet possessed Fourteen or Fifteen Aats, or Regions, each of which was presided over by a god. 

Their names, as given in the Papyrus of Nu, are as follows:--

Aat I. AMENTET wherein a man lived on cakes and ale; its god was AMSU-QET, or MENU-QET.

Aat II. SEKHET-AARU. Its walls are of iron. The wheat here is five cubits high, the barley is seven cubits high, and the Spirits who reap them are nine cubits high. The god of this Aat is RA-HERUKHUTI.

Aat III. AATENKHU. Its god was OSIRIS or RA.

Aat IV. TUI-QAUI-AAUI. Its god was SATI-TEMUI.

Aat V. AATENKHU. The Spirits here live upon the inert and feeble. Its god was probably OSIRIS.

Aat VI. AMMEHET, which is presided over either by SEKHER-AT or SEKHER-REMUS. This was sacred to the gods, the Spirits could not find it out, and it was accursed for the dead.

Aat VII. ASES, a region of burning, fiery flame, wherein the serpent REREK lives.

Aat VIII. HA-HETEP, a region containing roaring torrents of water, and ruled over by a god called QA-HA-HETEP. A variant gives the name of this Aat as HA-SERT, and that of its god as FA-PET.

Aat IX. AKESI, a region which is unknown even to the gods; its god was MAA-THETEF, and its only inhabitant is the "god who dwelleth in his egg."

Aat X. NUT-ENT-QAHU, i.e., the city of Qahu. It was also known by the name APT-ENT-QAHU. The gods of this region appear to have been NAU, KAPET, and NEHEB-KAU.

Aat XI. ATU, the god of which was SEPT (Sothis).

Aat XII. UNT, the god of which was HETEMET-BAIU; also called ASTCHETET-EM-AMENT.

Aat XIII. UART-ENT-MU: its deity was the hippopotamus-god called HEBT-RE-F.

Aat XIV. The mountainous region of KHER-AHA, the god of which was HAP, the Nile.

A brief examination of this list of Aats, or Regions, suggests that the divisions of Sekhet-hetepet given in it are arranged in order from south to north, for it is well known that Amentet, the first Aat, was entered from the neighbourbood of Thebes, and that the last-mentioned Aat, i.e., Kher-aha, represents a region quite close to Heliopolis; if this be so, Sekhet-Aaru was probably situated at no great distance from Abydos, near which was the famous "Gap" in the mountains, whereby the spirits of the dead entered the abode set apart for them. We see from this list also that the heaven provided for the blessed was one such as an agricultural population would expect to have, and a nation of farmers would revel in the idea of living among fields of wheat and barley, the former being between seven and eight feet, and the latter between nine and ten feet high. The spirits who reaped this grain are said to have been nine cubits, i.e., over thirteen feet, in height, a statement which seems to indicate that a belief in the existence of men of exceptional height in very ancient days was extant in Egypt traditionally.

Other facts to be gleaned from the list of Aats concerning Sekhet-Aaru are that:--1. One section at least was filled with fire. 2. Another was filled with rushing, roaring waters, which swept everything away before them. 3. In another the serpent Rerek lived. 4. In another the Spirits lived upon the inert and the feeble. 5. In another lived the "Destroyer of Souls." 6. The great antiquity of the ideas about the Aats is proved by the appearance of the names of Hap, the Nile-god, Sept, or Sothis, and the Hippopotamus-goddess, Hebt-re-f, in connection with them.

The qualification for entering the Aats was not so much the living of a good life upon earth as a knowledge of the magical figures which represented them, and their names; these are given twice in the Papyrus of Nu, and as they are of great importance for the study of magical pictures they have been reproduced above.

Of the general form and the divisions of Sekhet-Aaru, or the "Field of Reeds," and Sekhet-hetepet, or the "Field of Peace," thanks to the funeral papyri of the XVIIIth Dynasty, much is known, and they may now be briefly described. From the Papyrus of Nebseni we learn that Sekhet-hetep was rectangular in shape, and that it was intersected by canals, supplied from the stream by which the whole region was enclosed. In one division were three pools of water, in another four pools, and in a third two pools; a place specially set apart was known as the "birthplace of the god of the region," and the "great company of the gods in Sekhet-hetep" occupied another section of it. At the end of a short canal was moored a boat, provided with eight oars or paddles, and each end of it terminated in a serpent's head; in it was a flight of steps. The deceased, as we see, also possessed a boat wherein he sailed about at will, but its form is different from that of the boat moored at the end of the canal. The operations of ploughing, and of seed-time and harvest, are all represented. As to the deceased himself, we see him in the act of offering incense to the "great company of the gods," and he addresses a bearded figure, which is intended probably to represent his father, or some near relation; we see him paddling in a boat, and also sitting on a chair of state smelling a flower, with a table of offerings before him. None of the inscriptions mentions Sekhet-Aaru, but it is distinctly said that the reaping of the grain by the deceased is taking place in Sekhet-hetep, or Sekhet-hetepet.

In chronological order the next picture of Sekhet-hetepet to be considered is that from the Papyrus of Ani, and it will be seen at a glance that in details it differs from that already described. Ani adores the gods in the first division, but he burns no incense; the boat in which he paddles is loaded with offerings, and he is seen dedicating an offering to the bearded figure. The legend reads, "Living in peace in Sekhet--winds for the nostrils." The second division contains scenes of' reaping and treading out of corn, but only three pools of water instead of four. In the third division we see An! ploughing the land by the side of a stream of untold length and breadth, which is said to contain neither fish nor worms. It is important to note that this division is described as SEKHET-AANRU. The eyot which represents the birthplace of the god of the city has no title, and the larger island, which is separated from it by a very narrow strip of ground, contains a flight of steps, but no gods. In the left-hand corner is a place which is described as "the seat of the Spirits, who are seven cubits in height"; the "grain is three cubits high, and it is the perfect Spirits who reap it." In the other portion of this section are two boats instead of one as in the Papyrus of Nebseni.

In connection with the two pictures of Sekhet-hetepet described above, it is important to consider the text which accompanies the older of them, i.e., that of the Papyrus of Nebseni. The deceased is made to say that he sails over the Lake of Hetep (i.e., Peace) in a boat which he brought from the house of Shu, and that he has come to the city of Hetep under the favour of the god of the region, who is also called Hetep. He says, "My mouth is strong, I am equipped [with words of power to use as weapons] against the Spirits let them not have dominion over me. Let me be rewarded with thy fields, O thou god Hetep. That which is thy wish do, O lord of the winds. May I become a spirit therein, may I eat therein, may I drink therein, may I plough therein, may I reap therein, may I fight therein, may I make love therein, may my words be powerful therein, may I never be in a state of servitude therein, and may I be in authority therein . . . . . . [Let me] live with the god Hetep, clothed, and not despoiled by the 'lords of the north,' and may the lords of divine things bring food unto me. May he make me to go forward and may I come forth; may he bring my power to me there, may I receive it, and may my equipment be from the god Hetep. May I gain dominion over the great and mighty word which is in my body in this my place, and by it I shall have memory and not forget." The pools and places in Sekhet-hetepet which the deceased mentions as having a desire to visit are UNEN-EM-HETEP, the first large division of the region; NEBT-TAUI, a pool in the second division; NUT-URT, a pool in the first division; UAKH, a pool in the second division, where the kau, or "doubles," dwell; TCHEFET, a portion of the third division, wherein the deceased arrays himself in the apparel of Ra; UNEN-EM-HETEP, the birthplace of the Great God; QENQENTET, a pool in the first division, where he sees his father, and looks upon his mother, and has intercourse with his wife, and where he catches worms and serpents and frees himself from them; the Lake of TCHESERT, wherein he plunges, and so cleanses himself from all impurities; HAST, where the god ARI-EN-AB-F binds on his head for him; USERT, a pool in the first division, and SMAM, a pool in the third division of Sekhet-hetepet. Having visited all these places, and recited all the words of power with which he was provided, and ascribed praises to the gods, the deceased brings his boat to anchor, and, presumably, takes up his abode in the Field of Peace for ever.

From the extract from the Chapter of Sekhet-Aaru and Sekhet-hetepet given above, it is quite clear that the followers of Osiris hoped and expected to do in the next world exactly what they had done in this, and that they believed they would obtain and continue to live their life in the world to come by means of a word of power; and that they prayed to the god Hetep for dominion over it, so that they might keep it firmly in their memories, and not forget it. This is another proof that in the earliest times men relied in their hope of a future life more on the learning and remembering of a potent name or formula than on the merits of their moral and religious excellences. From first to last throughout the chapter there is no mention of the god Osiris, unless he be the "Great God" whose birthplace is said to be in the region Unen-em-hetep, and nowhere in it is there any suggestion that the permission or favour of Osiris is necessary for those who would enter either Sekhet-Aaru or Sekhet-hetep. This seems to indicate that the conceptions about the Other World, at least so far as the "realms of the blest" were concerned, were evolved in the minds of Egyptian theologians before Osiris attained to the high position which he occupied in the Dynastic Period. On the other hand, the evidence on this point which is to be deduced from the Papyrus of Ani must be taken into account.

At the beginning of this Papyrus we have first of all Hymns to Ra and Osiris, and the famous Judgment Scene which is familiar to all. We see the heart of Ani being weighed in the Balance against the symbol of righteousness in the presence of the Great Company of the Gods, and the weighing takes place at one end of the house of Osiris, whilst Osiris sits in his shrine at the other. The "guardian of the Balance" is Anubis, and the registrar is Thoth, the scribe of the gods, who is seen noting the result of the weighing. In the picture the beam of the Balance is quite level, which shows that the heart of Ani exactly counterbalances the symbol of righteousness. 

This result Thoth announces to the gods in the following words, "In very truth the heart of Osiris hath been weighed, and his soul hath stood as a witness for him; its case is right (i.e., it hath been found true by trial) in the Great Balance. No wickedness hath been found in him, he hath not purloined the offerings in the temples, and he hath done no evil by deed or word whilst he was upon earth." The gods in their reply accept Thoth's report, and declare that, so far as they are concerned, Ani has committed neither sin nor evil. 

Further, they go on to say that he shall not be delivered over to the monster Amemet, and they order that he shall have offerings, that he shall have the power to go into the presence of Osiris, and that he shall have a homestead, or allotment, in Sekhet-hetepet for ever. We next see Ani being led into the presence of Osiris by Horus, the son of Isis, who reports that the heart of Ani hath sinned against no god or goddess; as it hath also been found just and righteous according to the written laws of the gods, he asks that Ani may have cakes and ale given to him, and the power to appear before Osiris, and that he may take his place among the "Followers of Horus," and be like them for ever.

Now from this evidence it is clear that Ani was considered to have merited his reward in Sekhet-hetepet by the righteousness and integrity of his life upon earth as regards his fellow-man, and by the reverence and worship which he paid to every god and every goddess; in other words, it is made to appear that he had earned his reward, or had justified himself by his works. Because his heart had emerged triumphantly from its trial the gods decreed for him the right to appear in the presence of the god Osiris, and ordered him to be provided with a homestead in Sekhet-hetep. There is no mention of any repentance on Ani's part for wrong done; indeed, he says definitely, "There is no sin in my body.

I have not uttered wittingly that which is untrue, and I have committed no act having a double motive [in my mind]." As he was troubled by no remembrance of sin, his conscience was clear, and he expected to receive his reward, not as an act of mercy on the part of the gods, but as an act of justice. Thus it would seem that repentance played no part in the religion of the primitive inhabitants of Egypt, and that a man atoned for his misdeeds by the giving of offerings, by sacrifice, and by worship. On the other hand, Nebseni is made to say to the god of Sekhet-hetep, 

"Let me be rewarded with thy fields, O Hetep; but do thou according to thy will, O lord of the winds." 

This petition reveals a frame of mind which recognizes submissively the omnipotence of the god's will, and the words "do thou according to thy will" are no doubt the equivalent of those which men of all nations and in every age have prayed--

"Thy will be done."

The descriptions of the pictures of Sekhet-hetep given above make it evident that the views expressed in the Papyrus of Nebseni differ in some important details from those which we find in the Papyrus of Ani, but whether this difference is due to some general development in religious thought, which took place in the interval between the periods when the papyri were written, cannot be said. There is abundant evidence in the Papyrus of Ani that Ani himself was a very religious man, and we are not assuming too much when we say that he was the type of a devout worshipper of Osiris, whose beliefs, though in some respects of a highly spiritual character, were influenced by the magic and gross material views which seem to have been inseparable from the religion of every Egyptian. 

Though intensely logical in some of their views about the Other World, the Egyptians were very illogical in others, and they appear to have seen neither difficulty nor absurdity in holding at the same time beliefs which were inconsistent and contradictory. It must, however, in fairness be said that this characteristic was due partly to their innate conservatism in religious matters, and their respect for the written word, and partly to their fear that they might prejudice their interests in the future life if they rejected any scripture or picture which antiquity, or religious custom, or tradition had sanctioned.

Certain examples, however, prove that the Egyptians of one period were not afraid to modify or develop ideas which had come down to them from another, as may be seen from the accompanying illustration.

This picture is intended to represent Sekhet-hetepet, and is taken from the inner coffin of Kua-Tep, which was found at Al-Barsha, and is now in the British Museum (No. 30,840); it dates front the period of the XIth Dynasty. From this we see that the country of the blessed was rectangular in shape, and surrounded by water, and intersected by streams, and that, in addition to large tracts of land, there were numbers of eyots belonging to it. In many pictures these eyots are confounded with lakes, but it is pretty clear that the "Islands of the Blessed" were either fertile eyots, or oases which appeared to be green islands in a sea of sand. Near the first section were three, near the second four, near the third four, three, being oval, and one triangular; the fourth section was divided into three parts by means of a canal with two arms, and contained the birthplace of the god, and near it were seven eyots; the fifth is the smallest division of all, and has only one eyot near it. Each eyot has a name which accorded with its chief characteristic; the dimensions of three of the streams or divisions are given, the region where ploughing takes place is indicated, and the positions of the staircase and the mystic boat are clearly shown. The name of the god Hetep occurs twice, and that of Osiris once.

If now we compare this picture with that front the Papyrus of Nebseni we shall find that the actual operations of ploughing, reaping, and treading out of the corn are depicted on the Papyrus, and that several figures of gods and the deceased have been added. The text speaks of offerings made by the deceased, and of his sailing in a boat, &c., therefore the artist added scenes in which he is depicted doing these things; and the lower part of the picture in the Papyrus has been modified considerably. In the second division it may be noted that Nebseni is seen laying both hands on the back of the Bennu bird; there is no authority for this in the older copy of the picture. 

In this illustration on which is reproduced from the coffin of Sen, in the British Museum (No. 30,841), a still simpler form of Sekhet-hetepet is seen; here we have only nine eyots, which are grouped together, and no inscription of any kind.

Still further modifications were introduced into the pictures of Sekhet-hetepet drawn in later times, and, in order that the reader may be enabled to trace some of the most striking of these, copies of Sekhet-hetepet from the Papyrus of Anhai (about B.C. 1040), and from that of Auf-ankh (Ptolemaïc Period)

Book of the Earth

From Wikipedia, the free encyclopedia

The first vestiges we have of the Book of the Earth appear in the tombs of Merneptah (tomb), Tausert (tomb) and Ramesses III(tomb), where two scenes that wold later be including in the complete composition are depicted on the left wall of their sarcophagus chambers. They serve as a counterpart to the concluding representations of the Book of Caverns. We also find the solar barque atopAker as a double sphinx as an individual scene from Merneptah on, and in the Tomb of Ramesses IV, it concludes the representation in the decoration of his tomb.

In the tomb of Ramesses VI, all the decorated walls of the sarcophagus chamber have scenes from the Book of the Earth, though in the tomb of Ramesses VII, only one register depicts the scenes from parts D and C. Finally, Ramesses IX uses two scenes from part A in his tomb. All of the examples of this book appear within the sarcophagus chambers of the royal tombs, including one scene represented on the actual sarcophagus of Ramesses IV. Later, individual scenes also occur on several sarcophagi of the Late Period.

We also find individual scenes from the Book of the Earth in the cenotaph of Seti I at Abydos, as well as in the tomb of Osorkon II at Tanis. The section of the Book of the Earth that Painkoff called the Book of Aker occurs on Papyri of the 21st Dynasty, together with variations on the resurrection scene in A2, the tombs of Petamenophis and Padineith, TT197 of the 26th Dynasty at Thebes, and Lepsius 23 at Saqqara. We also see, from the Late Period, the depiction of Nut from part D in the tomb of Aba (TT36) and the scene of the birth of the stars on a cartonnage from the Ramesseum.

This funerary composition lacks an original ancient Egyptian title, and has actually been called by a number of names, depending on the scholar. Piankoff refers to it as La creation du disque solaire (The Creation of the Sun Disk). Hartwig Altenmuller calls it Buch des Aker (Book of Aker), while Erik Hornung names it Buch von der Erde (Book of the Earth) and Barta refers to it as Erdbunch (Earth-Book).

This was the last great composition concerning the netherworld, where the sun disk is raised up from the depths of the earth by numerous pairs of arms, and where the enemies of Egypt, those whose souls have not been blessed, are punished and destroyed in the Place of Annihilation.

Above all, it stresses the gods of the depths of the earth such as

The central figures in the story are Osiris, Ra and Ba, while the overarching plot is the journey the sun takes through the gods of earth, Aker, Geb and Tatenen.

Original sources

The scenes were found on all of the walls of the tombs of Ramesses VI and Ramesses VII. There were a few additional scenes found on the walls of other royal tombs extending from the New Kingdom to the Late Period, but since many scene from the Book were scattered around, the ordering of the illustrations is slightly convoluted.

Jean-François Champollion was the first one to publish the scenes and texts from the tomb of Ramesses VI in his Monuments de l'Egypte where he deciphered the hieroglyphs depicted in the tombs. Alexandre Piankoff was the first one to really study the composition of the images and hieroglyphics and looked for a meaning behind the illustrations. Bruno H. Stricker provided an explanation of the Book as a divine embryology in 1963.

Structure of the book

In the Book of the Earth, just as in the Book of Caverns, the hours of the night are not divided into sections, and the solar barque is largely missing as an aid to orientation. Though the original composition was probably divided into three registers, the registers in the surviving work are uncertain. Hence, the composition seems like a loose sequence of scenes. Because of the incomplete condition of his sarcophagus chamber which gives rise to various transpositions of materials, it is very uncertain whether the tomb of Ramesses VI provides a complete example of the Book of the Earth. Like the Book of Caverns, portions of it appear on the sides of several pillars. Scholars such as Abitz believe that the Book of the Earth, like the Book of Caverns, consists of two halves of which only one contains scenes of punishment. Like the Book of Caverns, the Book of the Earth uses the sun disk as a reoccurring theme, while the solar barque only makes rare appearances.

The directions of the scenes are mostly all oriented to the right and there is no visible morning goal, nor is there depicted the entry into the netherworlds. In the tomb of Ramesses VI, the divisions of the book run right to left, which is contrary to the usual arrangement. Piankoff recognized four parts, which were lettered A-D, while Abitz added further scenes on three pillar sides as parts E. He further theorizes that part D. with its praying king, represents the beginning of the composition, as at the beginning of the corridor of the Osireion. Further more, he believes part B belongs in part A, and part C to be a part of D. Barta instead designates the sequences of scenes from the sarcophagus chamber of Ramesses VII and Ramesses IX as part E, with the last scenes derived from a wide variety of books. Part A in the tomb of Ramesses VI portrays a clear central axis that has probably led to changes in the arrangements of the scenes in later versions. Unless the Aker scene is intended as such, there is also no concluding representations at the end of the composition.

Lake the Book of Caverns, Ramesses VI inserted many references to the king throughout the composition and uses subtitles to structure it.

Content

While the content of the book is similar in many ways to the Book of Caverns, there remain clear divergences also. Osiris is, of course, an central figure within the work, as is the transformation of Re, together with the ba of the blessed dead. A special theme is the journey of the sun through the earth god Aker. This actually represents and expansion of the eleventh scene in the Book of Gates, with its " barque of the earth".

Part E

In this part, there are six gods shown praying to a sun disc at burial mounds. This is smallest portion of the Book that is known, and Part E is most likely not the beginning of the Book of the Earth.

Part D

Part D is probably the beginning of the composition, where most of the setting is introduced. A majority of the content of the Book of the Earth is also located within this section. The realm of the dead is depicted with Osiris, as the primary figure, located within a tomb that is guarded by serpents. Beneath Osiris are the gods Anubis and another god who have their arms stretched out to provide protection over his corpse. This scene depicts renewal, while the scenes on both adjacent sides depict punishment. In the scenes of punishment, the gods of punishment are represented and are holding cauldrons.

Next, the mummy of the sun god stands upon a large sun disc that is enclosed by two pairs of arms rising from the depths of Nun. Surrounding this scene is a wreath of twelve stars and twelve small disks that indicate the course of the hours. The hands of two goddesses hold the ends of this illustration.

The final scene in this section shows Aker, who is representing the barque of the sun god, as a double sphinx. The barque is supported by two uraei, and inside the barque are Khepri and Thoth who are praying to the sun god. Underneath the barque are two royal figures with Isis and Nephthys who are holding a winged scarab beetle and a sun disc.

The middle register begins with Horus rising up out of a divine figure called the "Western One." Next, there are seven mounds that each contains a god. In the next scene, the propagation of Horus is repeated in which Horus is now falcon-headed, and rises from the body of Osiris which is being protected by the corpses of Isis and Nephthys.

In the next scene, Nun's arms are holding the solar disc, and other arms and two uraei hold another sun disc. A serpent is located on the top of this sun disc, which might signify the regeneration of the sun.

Like many Ancient Egyptian texts, the bottom register shows the punishment of enemies in the Place of Annihilation since it is below the gods. Since gods are more important figures, they are depicted above others. The sun god is shown above with several sarcophagi and four enemies below.

Finally, we find a corpse lying in a large sarcophagus located in the Place of Annihilation, which Re calls the "corpse of Shetit." This is the realm of the dead where gods and goddesses above the scene hold their hands out in prayer. In the last scene, we find the Apophis serpent being seized by ram headed gods.

Part C

Part C comprises three registers that might be connected to Part D, but the exact sequence is unclear. The upper and middle registers both start off with images of the sun god in his ram-headed form. Two ba-birds are praying to him while an unknown god is greeting him in the middle register. Behind the unknown god are two additional gods, one being ram-headed and the other being serpent-headed. These gods have their hands stretched out in front of them, towards the sun disc, in a protective gesture. Out of this gesture, the falcon shaped head of "Horus of the netherworld" is projected.

Part B

The registers of this section are less obvious, and many parts might be considered to belong to Part A. The first scenes in this section consist of four oval shapes with mummies inside, which are able to breathe from the rays of the sun god. There are also four burial mounds that have been turned over and are being protected by serpents. The main part of this section depicts a mummy, who is standing, called "corpse of the god," which is also the sun disc itself. In front of him, a serpent rises out of a pair of arms and holds a god and goddess in the act of praise. Behind the mummy is another par of arms, called the "arms of darkness," that is being supported by the crocodile, Penwenti.

Next, there are four more ovals containing mummies with four ba-birds, one ba-bird for each mummy. This, along with two additional hieroglyphs, represents shadows. Underneath this illustration are depictions of barques that contain the mummies of Osiris and the falcon-headed Horus.

At the end of this segment of the Book of the Earth, the upper portion shows a depiction of a large burial mound, containing the sun disc with an unknown god praying to it. Two heads and two goddesses that are located on both sides of the large burial mound also give praise. Directly below this, on the bottom register, are four gods and ba-birds that are also praying.

Part A

In the beginning of this section, the sun god is enclosed by mummies at a burial mound called the Mound of Darkness. Above this mound, a solar barque is shown. Following this scene, Aker is depicted as a double sphinx. the solar barque is located between the entrance and the exit of the realm of the dead, with its stern side facing the exit. Below shows the resurrection of the corpse of the sun, which is a scene that typically occurs in royal sarcophagus chambers. A falcon head emerges from a sun disc, and the light is shown falling on the "mysterious corpse" which is lying down. In the next scene, twelve goddess, each representing an hour of the night, are depicted. Each goddess has the hieroglyph of a star and a hieroglyph of a shadow with a beaming disk above her. At the beginning of the fourth scene, a few of the mummies are enclosed within four large circles. In the fifth scene, a central god, who is thought to be Osiris, is surrounded by the corpses of Shu (Egyptian deity), Tefnut, Khepri and Nun. The sixth scene, shows a pair of arms rising from the depths. A goddess called Annihilator stands up with her arms reaching to embrace a sun disc. The arms are supporting two praying goddesses named West and East in a reverse orientation. It is believed that the upper register of this part ends with a line containing a title of this work, though it is still unknown.

The middle register begins with the solar barque again. It is towed by fourteen ram-headed gods with all of their bas. Next, a god stands in his cave, surrounded by twelve star goddesses who are extending discs to him.

The following scene, which is scattered around the tomb of Ramesses VI, shows five burial mounds with a head and arms emerging from it. They are raised up in a gesture of praise. In the third scene, the birth of the sun is represented. This scene also occurs on the sarcophagus of Ramesses IV, but there is more detail and more story on that sarcophagus than in this scene.

Part A of the Book of the Earth

Part B and C from the Book of the Earth

Part D from the Book of the Earth

Ancient Egyptian religion

From Wikipedia, the free encyclopedia

Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians' interaction with many deities who were believed to be present in, and in control of, the forces of nature. Rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt, who was believed to possess a divine power by virtue of his position. He acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples.

Individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals and institutions. The popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices. The Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased.

The religion had its roots in Egypt's prehistory and lasted for more than 3,000 years. The details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, and the mother goddess Isis. For a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient and modern cultures.

Theology

The beliefs and rituals now referred to as "ancient Egyptian religion" were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion. Ancient Egyptian religion was not a monolithic institution, but consisted of a vast and varying set of beliefs and practices, linked by their common focus on the interaction between the world of humans and the world of the divine. The characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived.^[1]

Deities

The Egyptians believed that the phenomena of nature were divine forces in and of themselves. These deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and human society. Their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was very complex, as some deities were believed to exist in many different manifestations, and some had multiple mythological roles. Conversely, many natural forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or "demons" with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans: deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified.

The depictions of the gods in art were not meant as literal representations of how the gods might appear if they were visible, as the gods' true natures were believed to be mysterious. Instead, these depictions gave recognizable forms to the abstract deities by using symbolic imagery to indicate each god's role in nature. Thus, for example, the funerary god Anubis was portrayed as a jackal, a creature whose scavenging habits threatened the preservation of the body, in an effort to counter this threat and employ it for protection. His black skin was symbolic of the color of mummified flesh and the fertile black soil that Egyptians saw as a symbol of resurrection. This iconography was not fixed, and many of the gods could be depicted in more than one form.

Many gods were associated with particular regions in Egypt where their cults were most important. However, these associations changed over time, and they did not mean that the god associated with a place had originated there. For instance, the god Monthu was the original patron of the city of Thebes. Over the course of the Middle Kingdom, however, he was displaced in that role by Amun, who may have arisen elsewhere. The national popularity and importance of individual gods fluctuated in a similar way.

Associations between deities

The Egyptian gods had complex interrelationships, which partly reflected the interaction of the forces they represented. The Egyptians often grouped gods together to reflect these relationships. Some groups of deities were of indeterminate size, and were linked by their similar functions. These often consisted of minor deities with little individual identity. Other combinations linked independent deities based on the symbolic meaning of numbers in Egyptian mythology; for instance, pairs of deities usually represent the duality of opposite phenomena. One of the more common combinations was a family triad consisting of a father, mother, and child, who were worshipped together. Some groups had wide-ranging importance. One such group, the Ennead, assembled nine deities into a theological system that was involved in the mythological areas of creation, kingship, and the afterlife.

The relationships between deities could also be expressed in the process of syncretism, in which two or more different gods were linked to form a composite deity. This process was a recognition of the presence of one god "in" another when the second god took on a role belonging to the first. These links between deities were fluid, and did not represent the permanent merging of two gods into one; therefore, some gods could develop multiple syncretic connections. Sometimes, syncretism combined deities with very similar characteristics. At other times it joined gods with very different natures, as when Amun, the god of hidden power, was linked with Ra, the god of the sun. The resulting god, Amun-Ra, thus united the power that lay behind all things with the greatest and most visible force in nature.

Unifying tendencies

Many deities could be given epithets that seem to indicate that they were greater than any other god, suggesting some kind of unity beyond the multitude of natural forces. In particular, this is true of a few gods who, at various times in history, rose to supreme importance in Egyptian religion. These included the royal patron Horus, the sun god Ra, and the mother goddess Isis. During the New Kingdom (c. 1550–1070 BC), Amun held this position. The theology of the period described in particular detail Amun's presence in and rule over all things, so that he, more than any other deity, embodied the all-encompassing power of the divine.

Because of theological statements like this, many past Egyptologists, such as Siegfried Morenz (de), believed that beneath the polytheistic traditions of Egyptian religion there was an increasing belief in a unity of the divine, moving toward monotheism. Instances in Egyptian literature where "god" is mentioned without reference to any specific deity would seem to give this view added weight. However, in 1971 Erik Hornung pointed out that the traits of an apparently supreme being could be attributed to many different gods, even in periods when other gods were preeminent, and further argued that references to an unspecified "god" are meant to refer flexibly to any deity. He therefore argued that, while some individuals may have henotheistically chosen one god to worship, Egyptian religion as a whole had no notion of a divine being beyond the immediate multitude of deities. Yet the debate did not end there; Jan Assmann and James P. Allen have since asserted that the Egyptians did to some degree recognize a single divine force. In Allen's view, the notion of an underlying unity of the divine coexisted inclusively with the polytheistic tradition. It is possible that only the Egyptian theologians fully recognized this underlying unity, but it is also possible that ordinary Egyptians identified the single divine force with a single god in particular situations.

Other important concepts

Cosmology

The Egyptian conception of the universe centered on Ma'at, a word that encompasses several concepts in English, including "truth", "justice", and "order." It was the fixed, eternal order of the universe, both in the cosmos and in human society. It had existed since the creation of the world, and without it the world would lose its cohesion. In Egyptian belief, Ma'at was constantly under threat from the forces of disorder, so all of society was required to maintain it. On the human level this meant that all members of society should cooperate and coexist; on the cosmic level it meant that all of the forces of nature—the gods—should continue to function in balance. This latter goal was central to Egyptian religion. The Egyptians sought to maintain Ma'at in the cosmos by sustaining the gods through offerings and by performing rituals which staved off disorder and perpetuated the cycles of nature.

The most important part of the Egyptian view of the cosmos was the conception of time, which was greatly concerned with the maintenance of Ma'at. Throughout the linear passage of time, a cyclical pattern recurred, in which Ma'at was renewed by periodic events which echoed the original creation. Among these events were the annual Nile flood and the succession from one king to another, but the most important was the daily journey of the sun god Ra.

When thinking of the shape of the cosmos, the Egyptians saw the earth as a flat expanse of land, personified by the god Geb, over which arched the sky goddess Nut. The two were separated by Shu, the god of air. Beneath the earth lay a parallel underworld and undersky, and beyond the skies lay the infinite expanse of Nu, the chaos that had existed before creation. The Egyptians also believed in a place called the Duat, a mysterious region associated with death and rebirth, that may have lain in the underworld or in the sky. Each day, Ra traveled over the earth across the underside of the sky, and at night he passed through the Duat to be reborn at dawn.

In Egyptian belief, this cosmos was inhabited by three types of sentient beings. One was the gods; another was the spirits of deceased humans, who existed in the divine realm and possessed many of the gods' abilities. Living humans were the third category, and the most important among them was the pharaoh, who bridged the human and divine realms.

Divine pharaoh

Egyptologists have long debated the degree to which the Pharaoh was considered a god. It seems most likely that the Egyptians viewed royal authority itself as a divine force. Therefore, although the Egyptians recognized that the Pharaoh was human and subject to human weakness, they simultaneously viewed him as a god, because the divine power of kingship was incarnated in him. He therefore acted as intermediary between Egypt's people and the gods. He was key to upholding Ma'at, both by maintaining justice and harmony in human society and by sustaining the gods with temples and offerings. For these reasons, he oversaw all state religious activity. However, the Pharaoh’s real-life influence and prestige could differ from that depicted in official writings and depictions, and beginning in the late New Kingdom his religious importance declined drastically.

The king was also associated with many specific deities. He was identified directly with Horus, who represented kingship itself, and he was seen as the son of Ra, who ruled and regulated nature as the Pharaoh ruled and regulated society. By the New Kingdom he was also associated with Amun, the supreme force in the cosmos. Upon his death, the king became fully deified. In this state, he was directly identified with Ra, and was also associated with Osiris, god of death and rebirth and the mythological father of Horus. Many mortuary temples were dedicated to the worship of deceased pharaohs as gods.

Afterlife

The Egyptians had elaborate beliefs about death and the afterlife. They believed that humans possessed a ka, or life-force, which left the body at the point of death. In life, the kareceived its sustenance from food and drink, so it was believed that, to endure after death, the ka must continue to receive offerings of food, whose spiritual essence it could still consume. Each person also had a ba, the set of spiritual characteristics unique to each individual. Unlike the ka, the ba remained attached to the body after death. Egyptian funeral rituals were intended to release the ba from the body so that it could move freely, and to rejoin it with the ka so that it could live on as an akh. However, it was also important that the body of the deceased be preserved, as the Egyptians believed that the ba returned to its body each night to receive new life, before emerging in the morning as an akh.

Originally, however, the Egyptians believed that only the pharaoh had a ba, and only he could become one with the gods; dead commoners passed into a dark, bleak realm that represented the opposite of life. The nobles received tombs and the resources for their upkeep as gifts from the king, and their ability to enter the afterlife was believed to be dependent on these royal favors. In early times the deceased pharaoh was believed to ascend to the sky and dwell among the stars. Over the course of the Old Kingdom (c. 2686–2181 BC), however, he came to be more closely associated with the daily rebirth of the sun god Ra and with the underworld ruler Osiris as those deities grew more important.

Judgment 

During the late Old Kingdom (2686–2181 BC) and the First Intermediate Period (c. 2181–2055 BC), the Egyptians gradually came to believe that possession of a ba and the possibility of a paradisiacal afterlife extended to everyone. In the fully developed afterlife beliefs of the New Kingdom, the soul had to avoid a variety of supernatural dangers in the Duat, before undergoing a final judgment known as the "Weighing of the Heart". In this judgment, the gods compared the actions of the deceased while alive (symbolized by the heart) to Ma'at, to determine whether he or she had behaved in accordance with Ma'at. If the deceased was judged worthy, his or her ka and ba were united into an akh. Several beliefs coexisted about the akh's destination. Often the dead were said to dwell in the realm of Osiris, a lush and pleasant land in the underworld. The solar vision of the afterlife, in which the deceased soul traveled with Ra on his daily journey, was still primarily associated with royalty, but could extend to other people as well. Over the course of the Middle and New Kingdoms, the notion that the akh could also travel in the world of the living, and to some degree magically affect events there, became increasingly prevalent.

Writings

While the Egyptians had no unified religious scripture, they produced many religious writings of various types. Together the disparate texts provide a very extensive, but still incomplete, understanding of Egyptian religious practices and beliefs.

Mythology

Egyptian myths were metaphorical stories intended to illustrate and explain the gods' actions and roles in nature. The details of the events they recounted could change to convey different symbolic perspectives on the mysterious divine events they described, so many myths exist in different and conflicting versions. Mythical narratives were rarely written in full, and more often texts only contain episodes from or allusions to a larger myth. Knowledge of Egyptian mythology, therefore, is derived mostly from hymns that detail the roles of specific deities, from ritual and magical texts which describe actions related to mythic events, and from funerary texts which mention the roles of many deities in the afterlife. Some information is also provided by allusions in secular texts. Finally, Greeks and Romans such as Plutarch recorded some of the extant myths late in Egyptian history.

Among the significant Egyptian myths were the creation myths. According to these stories, the world emerged as a dry space in the primordial ocean of chaos. Because the sun is essential to life on earth, the first rising of Ra marked the moment of this emergence. Different forms of the myth describe the process of creation in various ways: a transformation of the primordial god Atum into the elements that form the world, as the creative speech of the intellectual god Ptah, and as an act of the hidden power of Amun. Regardless of these variations, the act of creation represented the initial establishment of maat and the pattern for the subsequent cycles of time.

The most important of all Egyptian myths was the myth of Osiris and Isis. It tells of the divine ruler Osiris, who was murdered by his jealous brother Set, a god often associated with chaos. Osiris' sister and wife Isis resurrected him so that he could conceive an heir, Horus. Osiris then entered the underworld and became the ruler of the dead. Once grown, Horus fought and defeated Set to become king himself. Set's association with chaos, and the identification of Osiris and Horus as the rightful rulers, provided a rationale for Pharaonic succession and portrayed the Pharaohs as the upholders of order. At the same time, Osiris' death and rebirth were related to the Egyptian agricultural cycle, in which crops grew in the wake of the Nile inundation, and provided a template for the resurrection of human souls after death.

Another important mythic motif was the journey of Ra through the Duat each night. In the course of this journey, Ra met with Osiris, who again acted as an agent of regeneration, so that his life was renewed. He also fought each night with Apep, a serpentine god representing chaos. The defeat of Apep and the meeting with Osiris ensured the rising of the sun the next morning, an event that represented rebirth and the victory of order over chaos.

Ritual and magical texts

The procedures for religious rituals were frequently written on papyri, which were used as instructions for those performing the ritual. These ritual texts were kept mainly in the temple libraries. Temples themselves are also inscribed with such texts, often accompanied by illustrations. Unlike the ritual papyri, these inscriptions were not intended as instructions, but were meant to symbolically perpetuate the rituals even if, in reality, people ceased to perform them. Magical texts likewise describe rituals, although these rituals were part of the spells used for specific goals in everyday life. Despite their mundane purpose, many of these texts also originated in temple libraries and later became disseminated among the general populace.

Hymns and prayers

The Egyptians produced numerous prayers and hymns, written in the form of poetry. Hymns and prayers follow a similar structure and are distinguished mainly by the purposes they serve. Hymns were written to praise particular deities. Like ritual texts, they were written on papyri and on temple walls, and they were probably recited as part of the rituals they accompany in temple inscriptions. Most are structured according to a set literary formula, designed to expound on the nature, aspects, and mythological functions of a given deity. They tend to speak more explicitly about fundamental theology than other Egyptian religious writings, and became particularly important in the New Kingdom, a period of particularly active theological discourse. Prayers follow the same general pattern as hymns, but address the relevant god in a more personal way, asking for blessings, help, or forgiveness for wrongdoing. Such prayers are rare before the New Kingdom, indicating that in earlier periods such direct personal interaction with a deity was not believed possible, or at least was less likely to be expressed in writing. They are known mainly from inscriptions on statues and stelae left in sacred sites as votive offerings.

Funerary texts

Among the most significant and extensively preserved Egyptian writings are funerary texts designed to ensure that deceased souls reached a pleasant afterlife. The earliest of these are the Pyramid Texts. They are a loose collection of hundreds of spells inscribed on the walls of royal pyramids during the Old Kingdom, intended to magically provide pharaohs with the means to join the company of the gods in the afterlife. The spells appear in differing arrangements and combinations, and few of them appear in all of the pyramids.

At the end of the Old Kingdom a new body of funerary spells, which included material from the Pyramid Texts, began appearing in tombs, inscribed primarily on coffins. This collection of writings is known as the Coffin Texts, and was not reserved for royalty, but appeared in the tombs of non-royal officials. In the New Kingdom, several new funerary texts emerged, of which the best-known is the Book of the Dead. Unlike the earlier books, it often contains extensive illustrations, or vignettes. The book was copied on papyrus and sold to commoners to be placed in their tombs.

The Coffin Texts included sections with detailed descriptions of the underworld and instructions on how to overcome its hazards. In the New Kingdom, this material gave rise to several "books of the netherworld", including the Book of Gates, the Book of Caverns, and the Amduat. Unlike the loose collections of spells, these netherworld books are structured depictions of Ra's passage through the Duat, and by analogy, the journey of the deceased person's soul through the realm of the dead. They were originally restricted to pharaonic tombs, but in the Third Intermediate Period they came to be used more widely.

As Egypt became more modernized, its archaic practices were substituted with new and efficient scientific techniques. Some of these scientific advancements were related to the development of mummification. By enhancing their advanced practice of mummification, the Egyptians were able to reach a new level of excellency concerning afterlife.

Practices

Temples

Temples existed from the beginning of Egyptian history, and at the height of the civilization they were present in most of its towns. They included both mortuary temples to serve the spirits of deceased pharaohs and temples dedicated to patron gods, although the distinction was blurred because divinity and kingship were so closely intertwined. The temples were not primarily intended as places for worship by the general populace, and the common people had a complex set of religious practices of their own. Instead, the state-run temples served as houses for the gods, in which physical images which served as their intermediaries were cared for and provided with offerings. This service was believed to be necessary to sustain the gods, so that they could in turn maintain the universe itself. Thus, temples were central to Egyptian society, and vast resources were devoted to their upkeep, including both donations from the monarchy and large estates of their own. Pharaohs often expanded them as part of their obligation to honor the gods, so that many temples grew to enormous size. However, not all gods had temples dedicated to them, as many gods who were important in official theology received only minimal worship, and many household gods were the focus of popular veneration rather than temple ritual.

The earliest Egyptian temples were small, impermanent structures, but through the Old and Middle Kingdoms their designs grew more elaborate, and they were increasingly built out of stone. In the New Kingdom, a basic temple layout emerged, which had evolved from common elements in Old and Middle Kingdom temples. With variations, this plan was used for most of the temples built from then on, and most of those that survive today adhere to it. In this standard plan, the temple was built along a central processional way that led through a series of courts and halls to the sanctuary, which held a statue of the temple's god. Access to this most sacred part of the temple was restricted to the pharaoh and the highest-ranking priests. The journey from the temple entrance to the sanctuary was seen as a journey from the human world to the divine realm, a point emphasized by the complex mythological symbolism present in temple architecture. Well beyond the temple building proper was the outermost wall. In the space between the two lay many subsidiary buildings, including workshops and storage areas to supply the temple's needs, and the library where the temple's sacred writings and mundane records were kept, and which also served as a center of learning on a multitude of subjects.

Theoretically it was the duty of the pharaoh to carry out temple rituals, as he was Egypt's official representative to the gods. In reality, ritual duties were almost always carried out by priests. During the Old and Middle Kingdoms, there was no separate class of priests; instead, many government officials served in this capacity for several months out of the year before returning to their secular duties. Only in the New Kingdom did professional priesthood become widespread, although most lower-ranking priests were still part-time. All were still employed by the state, and the pharaoh had final say in their appointments. However, as the wealth of the temples grew, the influence of their priesthoods increased, until it rivaled that of the pharaoh. In the political fragmentation of the Third Intermediate Period (c. 1070–664 BC), the high priests of Amun at Karnak even became the effective rulers of Upper Egypt. The temple staff also included many people other than priests, such as musicians and chanters in temple ceremonies. Outside the temple were artisans and other laborers who helped supply the temple's needs, as well as farmers who worked on temple estates. All were paid with portions of the temple's income. Large temples were therefore very important centers of economic activity, sometimes employing thousands of people.

Official rituals and festivals

State religious practice included both temple rituals involved in the cult of a deity, and ceremonies related to divine kingship. Among the latter were coronation ceremonies and the sed festival, a ritual renewal of the pharaoh's strength that took place periodically during his reign. There were numerous temple rituals, including rites that took place across the country and rites limited to single temples or to the temples of a single god. Some were performed daily, while others took place annually or on rarer occasions. The most common temple ritual was the morning offering ceremony, performed daily in temples across Egypt. In it, a high-ranking priest, or occasionally the pharaoh, washed, anointed, and elaborately dressed the god's statue before presenting it with offerings. Afterward, when the god had consumed the spiritual essence of the offerings, the items themselves were taken to be distributed among the priests.

The less frequent temple rituals, or festivals, were still numerous, with dozens occurring every year. These festivals often entailed actions beyond simple offerings to the gods, such as reenactments of particular myths or the symbolic destruction of the forces of disorder. Most of these events were probably celebrated only by the priests and took place only inside the temple. However, the most important temple festivals, like the Opet Festival celebrated at Karnak, usually involved a procession carrying the god's image out of the sanctuary in a model barque to visit other significant sites, such as the temple of a related deity. Commoners gathered to watch the procession and sometimes received portions of the unusually large offerings given to the gods on these occasions.

Animal cults

At many sacred sites, the Egyptians worshiped individual animals which they believed to be manifestations of particular deities. These animals were selected based on specific sacred markings which were believed to indicate their fitness for the role. Some of these cult animals retained their positions for the rest of their lives, as with the Apis bull worshiped in Memphis as a manifestation of Ptah. Other animals were selected for much shorter periods. These cults grew more popular in later times, and many temples began raising stocks of such animals from which to choose a new divine manifestation. A separate practice developed in the Twenty-sixth Dynasty, when people began mummifying any member of a particular animal species as an offering to the god whom the species represented. Millions of mummified cats, birds, and other creatures were buried at temples honoring Egyptian deities. Worshipers paid the priests of a particular deity to obtain and mummify an animal associated with that deity, and the mummy was placed in a cemetery near the god's cult center.

Oracles

The Egyptians used oracles to ask the gods for knowledge or guidance. Egyptian oracles are known mainly from the New Kingdom and afterward, though they probably appeared much earlier. People of all classes, including the king, asked questions of oracles, and, especially in the late New Kingdom their answers could be used to settle legal disputes or inform royal decisions. The most common means of consulting an oracle was to pose a question to the divine image while it was being carried in a festival procession, and interpret an answer from the barque's movements. Other methods included interpreting the behavior of cult animals, drawing lots, or consulting statues through which a priest apparently spoke. The means of discerning the god's will gave great influence to the priests who spoke and interpreted the god's message.

Popular religion

While the state cults were meant to preserve the stability of the Egyptian world, lay individuals had their own religious practices that related more directly to daily life. This popular religion left less evidence than the official cults, and because this evidence was mostly produced by the wealthiest portion of the Egyptian population, it is uncertain to what degree it reflects the practices of the populace as a whole.

Popular religious practice included ceremonies marking important transitions in life. These included birth, because of the danger involved in the process, and naming, because the name was held to be a crucial part of a person's identity. The most important of these ceremonies were those surrounding death (see "Funerary practices" below), because they ensured the soul's survival beyond it. Other religious practices sought to discern the gods' will or seek their knowledge. These included the interpretation of dreams, which could be seen as messages from the divine realm, and the consultation of oracles. People also sought to affect the gods' behavior to their own benefit through magical rituals (see "Magic" below).

Individual Egyptians also prayed to gods and gave them private offerings. Evidence of this type of personal piety is sparse before the New Kingdom. This is probably due to cultural restrictions on depiction of non-royal religious activity, which relaxed during the Middle and New Kingdoms. Personal piety became still more prominent in the late New Kingdom, when it was believed that the gods intervened directly in individual lives, punishing wrongdoers and saving the pious from disaster. Official temples were important venues for private prayer and offering, even though their central activities were closed to laypeople. Egyptians frequently donated goods to be offered to the temple deity and objects inscribed with prayers to be placed in temple courts. Often they prayed in person before temple statues or in shrines set aside for their use. Yet in addition to temples, the populace also used separate local chapels, smaller but more accessible than the formal temples. These chapels were very numerous, and probably staffed by members of the community. Households, too, often had their own small shrines for offering to gods or deceased relatives.

The deities invoked in these situations differed somewhat from those at the center of state cults. Many of the important popular deities, such as the fertility goddess Taweret and the household protector Bes, had no temples of their own. However, many other gods, including Amun and Osiris, were very important in both popular and official religion. Some individuals might be particularly devoted to a single god. Often they favored deities affiliated with their own region, or with their role in life. The god Ptah, for instance, was particularly important in his cult center of Memphis, but as the patron of craftsmen he received the nationwide veneration of many in that occupation.

Magic

The word "magic" is used to translate the Egyptian term heka, which meant, as James P. Allen puts it, "the ability to make things happen by indirect means". Heka was believed to be a natural phenomenon, the force which was used to create the universe and which the gods employed to work their will. Humans could also use it, however, and magical practices were closely intertwined with religion. In fact, even the regular rituals performed in temples were counted as magic. Individuals also frequently employed magical techniques for personal purposes. Although these ends could be harmful to other people, no form of magic was considered inimical in itself. Instead, magic was seen primarily as a way for humans to prevent or overcome negative events.

Magic was closely associated with the priesthood. Because temple libraries contained numerous magical texts, great magical knowledge was ascribed to the lector priests who studied these texts. These priests often worked outside their temples, hiring out their magical services to laymen. Other professions also commonly employed magic as part of their work, including doctors, scorpion-charmers, and makers of magical amulets. It is also likely that the peasantry used simple magic for their own purposes, but because this magical knowledge would have been passed down orally, there is limited evidence of it.^[99]

Language was closely linked with heka, to such a degree that Thoth, the god of writing, was sometimes said to be the inventor of heka. Therefore, magic frequently involved written or spoken incantations, although these were usually accompanied by ritual actions. Often these rituals invoked the power of an appropriate deity to perform the desired action, using the power of heka to compel it to act. Sometimes this entailed casting the practitioner or subject of a ritual in the role of a character in mythology, thus inducing the god to act toward that person as it had in the myth. Rituals also employed sympathetic magic, using objects believed to have a magically significant resemblance to the subject of the rite. The Egyptians also commonly used objects believed to be imbued with heka of their own, such as the magically protective amulets worn in great numbers by ordinary Egyptians.

Funerary practices

Because it was considered necessary for the survival of the soul, preservation of the body was a central part of Egyptian funerary practices. Originally the Egyptians buried their dead in the desert, where the arid conditions mummified the body naturally. In the Early Dynastic Period, however, they began using tombs for greater protection, and the body was insulated from the desiccating effect of the sand and was subject to natural decay. Thus the Egyptians developed their elaborate embalming practices, in which the corpse was artificially desiccated and wrapped to be placed in its coffin. The quality of the process varied according to cost, however, and those who could not afford it were still buried in desert graves.

Once the mummification process was complete, the mummy was carried from the deceased person's house to the tomb in a funeral procession that included his or her friends and relatives, along with a variety of priests. Before the burial, these priests performed several rituals, including the Opening of the mouth ceremony intended to restore the dead person's senses and give him or her the ability to receive offerings. Then the mummy was buried and the tomb sealed. Afterward, relatives or hired priests gave food offerings to the deceased in a nearby mortuary chapel at regular intervals. Over time, families inevitably neglected offerings to long-dead relatives, so most mortuary cults only lasted one or two generations. However, while the cult lasted, the living sometimes wrote letters asking deceased relatives for help, in the belief that the dead could affect the world of the living as the gods did.

The first Egyptian tombs were mastabas, rectangular brick structures where kings and nobles were entombed. Each of them contained a subterranean burial chamber and a separate, above ground chapel for mortuary rituals. In the Old Kingdom the mastaba developed into the pyramid, which symbolized the primeval mound of Egyptian myth. Pyramids were reserved for royalty, and were accompanied by large mortuary temples sitting at their base. Middle Kingdom pharaohs continued to build pyramids, but the popularity of mastabas waned. Increasingly, commoners with sufficient means were buried in rock-cut tombs with separate mortuary chapels nearby, an approach which was less vulnerable to tomb robbery. By the beginning of the New Kingdom even the pharaohs were buried in such tombs, and they continued to be used until the decline of the religion itself.

Tombs could contain a great variety of other items, including statues of the deceased to serve as substitutes for the body in case it was damaged. Because it was believed that the deceased would have to do work in the afterlife, just as in life, burials often included small models of humans to do work in place of the deceased. The tombs of wealthier individuals could also contain furniture, clothing, and other everyday objects intended for use in the afterlife, along with amulets and other items intended to provide magical protection against the hazards of the spirit world. Further protection was provided by funerary texts included in the burial. The tomb walls also bore artwork, including images of the deceased eating food which were believed to allow him or her to magically receive sustenance even after the mortuary offerings had ceased.

History

Predynastic and Early Dynastic periods

The beginnings of Egyptian religion extend into prehistory, though evidence for them comes only from the sparse and ambiguous archaeological record. Careful burials during the Predynastic period imply that the people of this time believed in some form of an afterlife. At the same time, animals were ritually buried, a practice which may reflect the development of zoomorphic deities like those found in the later religion. The evidence is less clear for gods in human form, and this type of deity may have emerged more slowly than those in animal shape. Each region of Egypt originally had its own patron deity, but it is likely that as these small communities conquered or absorbed each other, the god of the defeated area was either incorporated into the other god's mythology or entirely subsumed by it. This resulted in a complex pantheon in which some deities remained only locally important while others developed more universal significance. As the time changed and the shifting of the empires changed like the middle kingdom, new kingdom, and old kingdom, usually the religion followed stayed within the border of that territory.

The Early Dynastic Period began with the unification of Egypt around 3000 BC. This event transformed Egyptian religion, as some deities rose to national importance and the cult of the divine pharaoh became the central focus of religious activity. Horus was identified with the king, and his cult center in the Upper Egyptian city of Nekhen was among the most important religious sites of the period. Another important center was Abydos, where the early rulers built large funerary complexes.

Old and Middle Kingdoms

During the Old Kingdom, the priesthoods of the major deities attempted to organize the complicated national pantheon into groups linked by their mythology and worshiped in a single cult center, such as the Ennead of Heliopolis which linked important deities such as Atum, Ra, Osiris, and Set in a single creation myth. Meanwhile, pyramids, accompanied by large mortuary temple complexes, replaced mastabas as the tombs of pharaohs. In contrast with the great size of the pyramid complexes, temples to gods remained comparatively small, suggesting that official religion in this period emphasized the cult of the divine king more than the direct worship of deities. The funerary rituals and architecture of this time greatly influenced the more elaborate temples and rituals used in worshiping the gods in later periods.

Early in the Old Kingdom, Ra grew in influence, and his cult center at Heliopolis became the nation's most important religious site. By the Fifth Dynasty, Ra was the most prominent god in Egypt, and had developed the close links with kingship and the afterlife that he retained for the rest of Egyptian history. Around the same time, Osiris became an important afterlife deity. The Pyramid Texts, first written at this time, reflect the prominence of the solar and Osirian concepts of the afterlife, although they also contain remnants of much older traditions. The texts are an extremely important source for understanding early Egyptian theology.

In the 22nd century BC, the Old Kingdom collapsed into the disorder of the First Intermediate Period, with important consequences for Egyptian religion. Old Kingdom officials had already begun to adopt the funerary rites originally reserved for royalty, but now, less rigid barriers between social classes meant that these practices and the accompanying beliefs gradually extended to all Egyptians, a process called the "democratization of the afterlife". The Osirian view of the afterlife had the greatest appeal to commoners, and thus Osiris became one of the most important gods.

Eventually rulers from Thebes reunified the Egyptian nation in the Middle Kingdom (c. 2055–1650 BC). These Theban pharaohs initially promoted their patron god Monthu to national importance, but during the Middle Kingdom, he was eclipsed by the rising popularity of Amun. In this new Egyptian state, personal piety grew more important and was expressed more freely in writing, a trend which continued in the New Kingdom.

New Kingdom

The Middle Kingdom crumbled in the Second Intermediate Period (c. 1650–1550 BC), but the country was again reunited by Theban rulers, who became the first pharaohs of the New Kingdom. Under the new regime, Amun became the supreme state god. He was synchronized with Ra, the long-established patron of kingship, and his temple at Karnak in Thebes became Egypt's most important religious center. Amun's elevation was partly due to the great importance of Thebes, but it was also due to the increasingly professional priesthood. Their sophisticated theological discussion produced detailed descriptions of Amun's universal power.

Increased contact with outside peoples in this period led to the adoption of many Near Eastern deities into the pantheon. At the same time, the subjugated Nubians absorbed Egyptian religious beliefs, and in particular, adopted Amun as their own.

The New Kingdom religious order was disrupted when Akhenaten acceded, and replaced Amun with the Aten as the state god. Eventually he eliminated the official worship of most other gods, and moved Egypt's capital to a new city at Amarna. This part of Egyptian history, the Amarna period, is named after this. In doing so, Akhenaten claimed unprecedented status: only he could worship the Aten, and the populace directed their worship toward him. The Atenist system lacked well-developed mythology and afterlife beliefs, and the Aten seemed distant and impersonal, so the new order did not appeal to ordinary Egyptians. Thus, many probably continued to worship the traditional gods in private. Nevertheless, the withdrawal of state support for the other deities severely disrupted Egyptian society. Akhenaten's successors restored the traditional religious system, and eventually they dismantled all Atenist monuments.

Before the Amarna period, popular religion had trended toward more personal relationships between worshippers and their gods. Akhenaten's changes had reversed this trend, but once the traditional religion was restored, there was a backlash. The populace began to believe that the gods were much more directly involved in daily life. Amun, the supreme god, was increasingly seen as the final arbiter of human destiny, the true ruler of Egypt. The pharaoh was correspondingly more human and less divine. The importance of oracles as a means of decision-making grew, as did the wealth and influence of the oracles' interpreters, the priesthood. These trends undermined the traditional structure of society and contributed to the breakdown of the New Kingdom.

Later periods

In the 1st millennium BC, Egypt was significantly weaker than in earlier times, and in several periods foreigners seized the country and assumed the position of pharaoh. The importance of the pharaoh continued to decline, and the emphasis on popular piety continued to increase. Animal cults, a characteristically Egyptian form of worship, became increasingly popular in this period, possibly as a response to the uncertainty and foreign influence of the time. Isis grew more popular as a goddess of protection, magic, and personal salvation, and became the most important goddess in Egypt.

In the 4th century BC, Egypt became a Hellenistic kingdom under the Ptolemaic dynasty (305–30 BC), which assumed the pharaonic role, maintaining the traditional religion and building or rebuilding many temples. The kingdom's Greek ruling class identified the Egyptian deities with their own. From this cross-cultural syncretism emerged Serapis, a god who combined Osiris and Apis with characteristics of Greek deities, and who became very popular among the Greek population. Nevertheless, for the most part the two belief systems remained separate, and the Egyptian deities remained Egyptian.

Ptolemaic-era beliefs changed little after Egypt became a province of the Roman Empire in 30 BC, with the Ptolemaic kings replaced by distant emperors. The cult of Isis appealed even to Greeks and Romans outside Egypt, and in Hellenized form it spread across the empire. In Egypt itself, as the empire weakened, official temples fell into decay, and without their centralizing influence religious practice became fragmented and localized. Meanwhile, Christianity spread across Egypt, and in the third and fourth centuries AD, edicts by Christian emperors and iconoclasm by local Christians eroded traditional beliefs. While it persisted among the populace for some time, Egyptian religion slowly faded away.

Legacy

Egyptian religion produced the temples and tombs which are ancient Egypt's most enduring monuments, but it also influenced other cultures. In pharaonic times many of its symbols, such as the sphinx and winged solar disk, were adopted by other cultures across the Mediterranean and Near East, as were some of its deities, such as Bes. Some of these connections are difficult to trace. The Greek concept of Elysium may have derived from the Egyptian vision of the afterlife. In late antiquity, the Christian conception of Hell was most likely influenced by some of the imagery of the Duat. Biblical accounts of Jesus and Mary may have been influenced by that of Isis and Osiris. Egyptian beliefs also influenced or gave rise to several esoteric belief systems developed by Greeks and Romans, who considered Egypt as a source of mystic wisdom. Hermeticism, for instance, derived from the tradition of secret magical knowledge associated with Thoth.

Modern times

Traces of ancient beliefs remained in Egyptian folk traditions into modern times, but its influence on modern societies greatly increased with the French Campaign in Egypt and Syriain 1798 and their seeing the monuments and images. As a result of it, Westerners began to study Egyptian beliefs firsthand, and Egyptian religious motifs were adopted into Western art. Egyptian religion has since had a significant influence in popular culture. Due to continued interest in Egyptian belief, in the late 20th century, several new religious groups have formed based on different reconstructions of ancient Egyptian religion.